Acting style & the climactic moment
The acting style in this play is that of a somber mood. The cast is not happy, delighted or rejoicing in any way. The style of acting for the game is of the ancient form. The crops must depict the traditional forms of environment. The sea must e well painted on a backdrop with waves of water on it. The tension and the agony of Maurya must be evident from the onset. The classical acting technique would be most appropriate in this case; the actors must be a very heel on every element of the acting. Their voices must be somber, the faces must be sad, and the lighting should be able to depict all that. The panic on the eyes of Norah and Cathleen while the defiance of BARTLEY should not be overlooked. The Climatic moment should be accompanied with terrific tones of suspense the point when Maurya returns with the piece of cloth and bread still in her hands. She audience must be lost and anxious, while the casts, Norah and Cathleen indicating restlessness.
Scenery
The scenery for this act should not be modern by any standard. Going by the type of English spoken in the cast, there is adequate evidence to point to the fact that the story and the ct are of olden times. The props should be drawn with ancient sceneries on display. The sea and the canoes should be on it. White sleeves blendes with blue should be used to indicate the presence of waves in the sea. The image of Michael that Maurya saw in the sea following after Bartley should be in dark dressing to depict a spiritual being and not an ordinary being as it is. The stage should be scattered with a few things, to show an old woman’s house, not well decorated or arranged. The stage presence and props should be made mobile to take into account the quick transition from the indoor scenes to the extreme acts.
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Costumes & Makeup
The costumes used in this act should equally be of ancient times. Dirndl costume from the Austrian origin would be a better choice for Maurya. A woman at her advanced age with decent dressing left with little to prove in her life. The two women, Cathleen and Nora, would be best to wear the clogs design costumes from the Netherlands. Bartley would best fit to wear the Kilt design of Costume from the Scotland origin, given that she is a sailor who travels at night. The overall texture of the costumes should be either sisal or batik. The costumes should be thinking and stitched in design to ensure that they meet the purpose of play.
Lighting
Lighting expertly depicts the mood and the attitude of play. Somber mood dominates the game, Riders to the Sea, by John Millington Synge. There is a lot of lamentation, regrets, and worries in the entire game. There is also horror and tension throughout the game. Therefore, a transitional and the mixture of red and blue light would best fit the scene where Maurya sees Michael, in the sea. The red light is for terror and confusion-intensive scenes. The periodic use of the blue lights would fit for peaceful moments in the play; like in the scene where Maurya is beaten. She accepts her fate that she has lost all her children and husband. That she will have nobody to worry about anymore now that her last son is dead. Te props should be well illuminated; therefore, moments of a fluorescent bulb is needed to attain the proper inceptions of some of the drawing s on the prop.
Sound & Music
The sound in plays depicts the changes in the mood of play. The changing in the scenes between love, care, horror, and terror must be described using various sound elements. There are adequate changes in the musical tunes from the tension-packed scenes and the moment where the play comes to an end with the actors feeling beaten and sense of loss. The use of rock music and metallic sounds in the scene where Bartley is leaving the house in hurry and sails far into the sea is most appropriate. The purpose of hard and fast-paced music would only serve to intensify the anxiety and anticipation that fills the play. Some scene such as the moments where Maurya left sad and defeated in a somber mood calls for the of instrumentals. She is mourning her son, using her last bottle of Holy water; she uses it to cleanse his feet as a way of giving him her final blessing. Such scenes are best captioned by the use of instrumentals and slow moving music that would create an emotional feeling and empathy from the audience.
Final moments & Ending
The play ends on a somber note. The audience is moved and some feeling sense of empathy to the character of Maurya. She has lost an entire family and dialogues within herself, mumbling incomprehensible words that make her sad. The play should end with Maurya saying words indicating that even for her too, her life is over and that she does not have to live anymore. The play should end with her probably requesting for the two ladies, Norah and Cathleen with eh help of old women to take her to her rest place. The play should end with Maurya wishing both Cathleen and Norah good future; just like her family, she too is dead.
