The design and visual components of the movie The Shape of Water gives it its distinct character and feel. An opening voiceover in the film captures viewer's attention as it elaborates the setting of the story to have happened a long time ago. The opening scene taken in an underwater landscape showing a relaxed figure floating asleep above a sofa manages to set the tone for the rest of the film.
The figure floating above the sofa happens to be an orphaned Elisa Esposito (starred by Sally Hawkins). Elisa Esposito has been voiceless since she was found floating by the riverside in the water with scars on her neck. Elisa lives above a peasant Orpheum cinema and works as a mute cleaner alongside her friend Zelda (Octavia Spencer) at the Occam aerospace research facility. While in the course of their cleaning duties, Elisa and Zelda encounter an amphibious creature (played by Doug Jones). Elisa forms a strong bond with the creature and begins communicating with it using sign language. Dr. Hoffsteller (Michael Stuhlbarg) wants to learn more from the beast once revered as a god by way of torturing it. Elisa hears music from the creature's sorrowful cries, and she hatches a plan to free it from being killed.
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What follows next in the film is a fascinating and romantic narrative abundant with powerful love. Costumes from Luis Sequeira's production designs makes the blue-green fantasy world in the movie appear real. Del Toro creation and craft of the compelling tale of love makes the audience know exact feelings of Elisha towards her soul mate. The creature derives sense out of Elisha's fish-out-of-water feelings. Elisha if perfectly compassionate and watching her dance with the beast is emotionally captivating and genuine representation of Del Toro's sparkling drama shot with great visual talents.
