Imagery is one of the most common styles associated with literary compositions, as it gives authors a clear path through which to use both figurative and descriptive languages. Wuthering Heights by Emily Bronte is one of the critical texts that shows extensive use of imagery of nature as a way of seeking to build a classical connection with the audience. Each of the images that Bronte uses as part of the novel is considered as being somewhat symbolic, especially in conveying the characteristics associated with the different characters. It can be argued that the use of the images of nature create a front through which Bronte can reflect on the personalities of the characters.
The title of the novel, Wuthering Heights, is highly characteristic of nature, as the word Wuthering is a word that can be defined as meaning' roaring of the wind.' That serves as a clear indication of the significance of nature as it relates to the novel, as it seeks to create a tangible realm that would help in its description as a provider of images and symbols. In the story, Bronte (1847) describes Wuthering as “a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather” (1.12). The intention is that this would be of great value in highlighting the significant connection that Wuthering Heights has to the context of nature.
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One of the critical images that are considered as being a vital part of the story in the novel is the barren landscape that is represented by the moor. In the book, Bronte can create an image that is reflective of land that is dreary and deserted. Catherine, who is one of the characters in the novel, presents the dying wish that she should be released onto the moors, which reinforces the importance of the image that Bronte uses as part of the text. Catherine indicates that "I wish I were out of doors—I wish I were a girl again, half-savage and hardy […] I'm sure I should be myself was I once among the heather on those hills. Open the window again wide […]” (Bronte, 1847, 12.46). The intention of using the image is that it will help in creating a better understanding of the kind environment within the moors.
Based on the description that Catherine gives, as well as, the images used, what is clear is that Bronte's idea of using the images on nature was defined by the need for having to create a mental picture of love. The images are seen as an illustration of the love between Catherine Linton and Heathcliff. The value can be justified from the fact that both Catherine and Heathcliff regularly refer to different aspects associated with nature, as has been projected in the images with the intention being towards expressing their love. The photos are used as a platform through which to express love in a manner that cannot be described using words.
The use of images associated with nature as part of the novel can also be considered as being effective in seeking to highlight the position that the two houses in the story hold concerning their connection to nature. The images help in creating the physical manifestation of life in heath and moors, which is considered as being important in presenting a clear reflection of the two surrounding houses. Generally, it can be argued that the houses serve as a manifestation of nature-based on its generalized presentation as part of the text; thus, allowing for a much more advanced connection with the audience. Bronte considers the use of images of nature as a critical part of the text, considering that they help in ensuring that her story is well understood in seeking to connect the text to symbolism.
References
Brontë, E. (1847). Wuthering heights . Thomas Cautley Newby.
