The aesthetic experience presents the role of art in communicating intricate and breath-taking experiences that in most of the times, words fail to articulate. Ineffable experiences that seem irrational to the eye become a reality through the works of art. Moreover, the writer asserts that once an individual comes close to death or narrowly escapes a deathly experience, their affirmation of beauty in the nature seems to tremendously increase ( Mitchell, 2014) .
It seems that by seeing things daily and knowing that they would always be there blankets an individual’s appreciation of the very same things. In depicting the reality of her assertions, the writer alludes to the play, “our town”, where a young lady who had passed away is presented with a second chance to re-live a single moment of her choosing. As she re-lives her twelve’s birthday, everything seems to bear poignant and ineffable beauty ( Mitchell, 2014) . It seems that the things taken for granted become incredible and breath-taking once the chance to behold them is no more. Thus, the author asserts that art serves the same purpose, by its aesthetic qualities depicts experiences that bring a whole new meaning to the same things that are taken for granted.
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From Plato’s point of view, if art depicts and represents reality, then it could lead to confusion. Nonetheless, the author argues that the artist depicts certain truths in image form, a way that is clear to all thus serving a similar role to a priest. On his part, Plato argues that a skilful artist could depict the world in a false perceptive or worse still, trigger individuals to immorality. His opinion seems to disagree with Aristotle who holds that individuals could learn valuable life lessons from watching a literary work of art such as a tragedy, purging them from repeating the mistakes depicted therein. Furthermore, Aristotle asserts that art is a portrayal of potential happenings and not imitations of the apparent. Thus, the meaning of every work of art should be obtained from a deeper interpretation rather than a shallow outlook on it. For instance, the statement on the creation of human beings as equal may seem false to Plato as human beings are never equal. Nonetheless, the artist’s intention is to push forward the concept equality that every nation strives for. The author alludes to the statements of Martin Luther King Junior in calling for racial equality, depicting the large vision that artists express.
Notably artists looks at real life with a spiritual bearing in it, making works that connect the two aspects. In reference to the exquisite sculpture of David made by Michelangelo, he asserted that the sculpture was already designed on the marble and all he had was to get rid of the unnecessary parts. The same words were echoed by Khing, a legendary Asian artist who made an outstanding bell stand after fasting for a full week ( Mitchell, 2014) . Similarly, Aristotle made sentiments asserting that art is a depiction of the unseen from the real. Although the things depicted by artists actually exist in one way or another, the elevation of its depiction brings a sense of wonder and fresh appreciation as the ordinary is turned into an extraordinary beauty.
In the African context, the artist who produced objects for use in rituals was revered in equal measure as the priest. Furthermore, the artist had to be inspired by a supernatural being while working on his sculpture. The author alludes to the work of Chinua Achebe regarding Edogo, an African sculptor where he got completely lost in his work to the point of being in total oblivion to voices of people passing closely. To him, the mind and spiritual being of the artist was completely lost in the work as if he was under some supernatural force.
In present times, art has been compartmentalised and confined to museums and other places where antiquities are stored. Nevertheless, the basic aspect of art lies in its beauty since beauty forms the first idea before any work of art is done ( Mitchell, 2014) . In demonstrating his ideas regarding the connection between love and art, Aristophanes uses the myth of Zeus to highlight that human beings had four legs and four arms. However, due to arrogance, Zeus split them into half and hence love involves the search for one’s other half. On his part, Socrates states that art and love serve the same purpose that is, connecting the spiritual and the temporal. He describes the journey of a person in falling in love as beginning with the physical beauty. Afterwards, the individual realizes that the soul has the full measure of love and beauty rather than the physical body, making him/her to choose a beautiful soul despite its body ( Mitchell, 2014) . Thus, absolute love is spiritual, just as absolute art work is spiritual manifesting in the physical.
Love and truth as well as beauty lack a physical description, but art presents them in utmost essence. Although words fail to articulate beautiful moments or experiences, art fills the gap and satisfies emotions and feeling. Through art, the artists presents the truths about beauty and the world in extremes that no other way can depict ( Mitchell, 2014) . In Asian art, the artistry work, woman of the sacred garden relies heavily on truth as the artist has to find the connection between beauty and truth in themselves and thus present a true depiction of reality that is beyond the spoken word. In Schelling’s point of view, the creation by an artist presents a fusion of the art and its creator through absolute creativity. Although words and concepts may be used to express ideas, the perfect medium for conveying them remains to be art.
In today’s world, the same depiction of art in utmost aesthetics seem to have gone with the wind. The modern society is immensely lacking this explicit depiction off realities as the works of art have become too reliant on training and as a result, the absolute creativity has been lost. Moreover, the arts have become plain and lacking in the depiction of the dark side of humanity to the extent that they cannot portray massages of warning regarding the potential of human wickedness and evil ( Mitchell, 2014) . In Dionysian perspective, art needs to convince individuals of their internal joy of existence, the very essence of humanity. Although scientific advancements continue to marvel and astonish humanity, the art work has been left behind resulting in a particular emptiness in depicting the cause and effect relationships. In Shlain’s perspective, the artist requires to create magnificent work out of nothingness in the same way that God created light from nothing. He thus calls for art to be the real power that enables humans to see the world in a way that impressionists did. Similarly, one painted in cubism asserted that he painted things as he saw them, not as they are in the obvious ( Mitchell, 2014) . Other works of art such as music and dancing serve a central role in depicting the feelings of humanity as well as the aspirations in their inner beings.
In conclusion, the aesthetic experience looks at the intangible yet essential aspects in human existence. The depiction of beauty and its connection to the truth seems apparent due to the connection with absolute creativity that most outstanding artists attest to experience. Nevertheless, with the advancement in modern technology, a significant loss in touching and moving works of art have become apparent as the arts have lost their uniqueness but gained in technical superiority. However, technical ability is just a small aspect in art as the absolute creativity plays the major role in the birth of intricate works of art.
Reference
Mitchell, H. B. (2014). Roots of Wisdom: A Tapestry of Philosophical Traditions . Nelson Education.
