Blade runner is a scientific fiction movie which basic story comes from the novel, ‘Do androids dream of electric sheep?’ by Philip K Dick. Released in the year 1982, directed by Ridley Scott and written by Hampton Fancher and David Peoples, it is an excellently made and consistent film all the way. It is set in Los Angeles, the year is 2019 and it stars Harrison Ford as Richard Deckard. He is more of detached, disciplined and subdued into mechanical numbness but is awakened to feeling when he meets and falls in love with Sean Young as Rachael, an advanced replicant implanted with emotions and memories and it is this diffident, uncanny relationship that drives the film.
Ridley Scott’s visual imagery dominates every other aspect of the film. Each shot in the movie is vividly detailed that no number of viewings would be necessary for the eye to take in the movie’s full visual richness. The city is detracted by implausibly huge sky scrapers and people getting around in compact vehicles that glide, ascend, and soar. The director uses miniature, animation, and drawings to create the visual environment that is greatly beheld as the plot unfolds. It also gives a glimpse of the possibly near future with the advancement in technology. Blade runner is significantly a work of artistry to the eye, and is worth taking a look at.
Delegate your assignment to our experts and they will do the rest.
The movie is quite a failure when it comes to the general storyline, the visual achievement notwithstanding .The plot is a remodel of Fritz Lang’s metropolis and Alpha Ville by Jean-Luc Gordard set in the future where people live in technological existences with emergence of human replication in form of robots termed as replicants in the blade runner, which are more advanced mostly in skill and less oriented in emotions and feelings, questioning our human nature to err and capacity to go by our day to day activities with less skills, as compared to the replicants. It lacks the unique identity as a sole scientific movie and is rather predictable, especially when it comes to the obligatory love affair of the protagonist, Harrison Ford. Also, the villains are unremarkable and the climax of the story is a yet again very foreseeable cliffhanger, one of those that makes you anticipate the continuation of a story that is basically over. Richard Scott allowed the special artistry of Blade Runner to overpower what the movie was all about and make it way too average.
Philip Dick’s novel can be summed up to empathy. It is the single most element in his book mostly concerning the andies. He characterizes empathy as the defining trait of humans which makes us different from other living things, the androids being an inclusion too. This is mainly where the film and the book appear worlds apart. Ridley depicts the replicants as capable of feeling emotions like love and fear and drawing out the human weakness compared to replicants strength in terms of skills in the Blade Runner. Dick paints a very different picture when it comes to both. According to Dick, andies can never empathize with the humans and their nature and that clearly brings out the character traits that make man and robots differ while Ridley shows that the replicants can empathize. Although the film is based from the novel, the theme that guides the storyline for the film is notably different from the theme that is emphasized in the novel. Instead of humanity in terms of flesh and blood, the film glorifies mechanical men.
