Paintings works done relating to Buddhism in the era of Koryo’s dynasty between 918 and 1392 are commonly known as Koryo Buddhist paints (Chung, 2005) . They were painted with special aestheticism and unwavering belief in the dynasty. As such, they are beautiful and have lived the years to command great following up to the current century. The populism of the paintings spread beyond the dynasty across the whole of East Asia as far as Japan as well as China. The region is highly adherent to the Buddhist religion and as such, the paintings were appealing to most of the people in the region.
The above painting is known as the Water-Moon Avalokiteśvara. IT was created by an artist called Seo Guban in the year 1323 (Leidy, 2008) . Therefore, it was during the period of the Gooryeo dynasty. It is regarded as one of the most prominent works in all the Buddhist paintings created during that time. The painting shows bodhisattva on a chair facing down. He is seen looking down at a boy who is at his feet. The painting presents the audience with a side view of the bodhisattva looking at the acolyte. The body of the bodhisattva is seen shinning and he is covered with a veil that is called sara (Leidy, 2008) . A bamboo bottle containing water that is purified is also seen in the painting.
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The painting is 65.1 by 40 inches in terms of dimensions (Metropolitan Museum of Art (New York, N.Y.), 2010) . Further, a hanging scroll characterizes its medium. The scroll is made up of ink and a gold pigment that give it a magnificent unique outlook. The characteristics make the patenting to stand out among others of its time and get huge admiration.
Annotated Bibliography
Chung, S. Y. (2005). The Iconography of the Water-moon Avalokitesvara Painting in the Koryo
Dynasty. Columbus, OH: Ohio State University.
The book discusses several paintings during the era of Koryo’s dynasty. There were many paintings, and the author uses parameters like popularity and aestheticism to compare them. The Water- Moon Avalokitesvara is picked as the most standing out painting regarding popularity as well as relevance to the popular Buddhist religion.
Leidy, D. P. (2008). The Art of Buddhism: An Introduction to Its History & Meaning. Boulder,
CO: Shambhala Publications.
The author spends time specifically discussing the physical outlook of The Water- Moon Avalokitesvara. The details of what is in the painting are given . The purpose of every detail in the painting is also spelled out. For example, the author elaborates on details the use of the bamboo bottle that is seen held by the bodhisattva.
Metropolitan Museum of Art (New York, N.Y.). (2010). Wisdom Embodied: Chinese Buddhist
and Daoist Sculpture in the Metropolitan Museum of Art. New York, NY: Metropolitan Museum of Art (New York, N.Y.).
The author simply gives a sophisticated technical analysis of the painting. The dimensions, texture as well as the medium are well spelled out in the book.The color mixing, as well as artistic techniques used in the painting, are also discussed.
References
Chung, S. Y. (2005). The Iconography of the Water-moon Avalokitesvara Painting in the Koryo
Dynasty. Columbus, OH: Ohio State University.
Leidy, D. P. (2008). The Art of Buddhism: An Introduction to Its History & Meaning. Boulder,
CO: Shambhala Publications.
Metropolitan Museum of Art (New York, N.Y.). (2010). Wisdom Embodied: Chinese Buddhist
and Daoist Sculpture in the Metropolitan Museum of Art. New York, NY: Metropolitan Museum of Art (New York, N.Y.).
