Sugar was recorded acoustically in the year 1927 by Bennie Moten Band. On the other hand, the Moten Swing was recorded by the same players in the year 1932, but this time it was electronically and it was later known as the Count Basie Orchestra ( Driggs, 2005) .
Effect of Electric Recording
The electronic recording in the Moten Swing changed its feel, especially the rhythm by enabling the band to mix the older two-beat stride together with the newer pared-down style. The rhythm section has the bass and piano in place, with plenty of swings . The music has a swing feel with an emphasis on the weaker pulse in the music. It moved towards an orchestral jazz that is freer and developed swing music. The inclusion of Count Basie on the piano further improved the rhythm by making it strong that supports the loosely tied bass and wind.
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The electronic recording also changed the tone colors in this band in terms of bringing out unique yet distinctive tones even when the instruments are played at the same amplitude level. Listening to the music, there are fine solos and muted trumpet that contribute to the color change. The two forms of music have also changed my way of dancing, for example, with Sugar; there is the feeling of tap dancing to the music. However, with Moten Swing, have repetitive riffs and phrases that encourage the listener to swing (Driggs, 2005).
A comparison of the two kinds of music indicates that the instruments which have been replaced in the latter version include the electric guitar, bass, trumpets, and drums. From the list, the instrument that can be heard easily is the drum (Driggs, 2005). Another clear difference experienced from listening to the two versions as Moten Swing had more effort put in place in terms of an increase in the number of electric instruments that were used.
Conclusion
Bennie Moten and his band came up with among the best music ever to be created including Sugar that was recorded acoustically and the Moten Swing that was recorded electronically. Electronic recording in the Moten Swing changed its feel and also its tone color.
Reference
Driggs, F., & Haddix, C. (2005). Kansas City jazz: From ragtime to bebop - a history . Oxford [u.a.: Oxford Univ. Press.
