There had been reasonably some alterations between the initial novel and the film. To begin with, in the book, not solely does Victor Frankenstein die, but also Henry, William, Elizabeth, and Justine. At the conclusion of the book, once Victor passes away, the monster dives into the water and is not ever seen again. The film, on the other hand, concluded in a considerably cheerier tone. Victor Moritz, Elizabeth Lorenzo, and "Henry" Frankenstein, all live, while the creature passes away instead. What is more, the exclusion of the De Lacy household and the trace of Justine eliminate very essential aspects of the narration. Safie and the De Lacy's performed an extremely huge role on the monster's personally and intellectually growth. Justine's trial revealed more profound Victor's character, that is, his priorities, his morals, his guilt, and his regrets. Altogether, these contributed to the development of the plot, as opposed to the movie. Frankenstein failed to demonstrate the same guilt, depression, shame, and pain, like Victor did in the initial book.
In the novel, a frame narrative is used where a story is put inside another story. A second frame is when Frankenstein narrates his story from his viewpoint. When the monster narrates his story to Frankenstein in his viewpoint, it is the third frame. This method is useful since it offers the readers many perspectives for them to relate and comprehend the character as well as their views. The film lacks this thus eliminating loads of connection between the characters in the narrative and the audience/reader.
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Nonetheless, one strength of the movie is that whale retained the rudimentary ideas and themes intact for the film: precisely, Dr. Frankenstein (Colin Clive) tries to create his own creature and provide it with life, which was an immoral idea. The creature comes to be a mercurial monster, a castaway from the community and hunted as a disgrace prior to eventually meeting a disastrous end.
References
Shelley, M. (2018). Frankenstein. In Medicine and Literature, Volume Two (pp. 35-52). CRC Press.
