The comprehension of The Magnificent Seven can take different perspectives for it can be analyzed in many ways for more insight. The first perspective is that it compares with the films of the genre is the Week Four content. For instance, it shows some similarities and differences in relation to the movie Olympus has Fallen . In terms of commonality, the two falls under the category of action movies. On one hand, The Magnificent Seven depicts gun fights between a group of seven outlaws who have been hired by inhabitants of a small vulnerable town and some bandits led by an industrialist villain, Bogue . On the other hand, Olympus has Fallen depicts a bloody fight to remove terrorists who have infiltrated the White House.
Correspondingly, the two have a shared theme in the quest for security as the protagonists fight the invading bandits and terrorists respectively. However, the two also show differences. For illustration, while The Magnificent Seven has relatively short camera cuts, Olympus has Fallen has fairly longer ones. Again, while The Magnificent Seven largely has darker shades of lighting, Olympic has Fallen uses more light.
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The second context of appreciating the movie relates to the portrayal of the concept of cinematography in the creative work. Admittedly, various visual elements stand out in some scenes in the films enhance their understanding ( Karakostas et al., 2020 ). For instance, in the film, there is a visual element of relatively large frames in the scene where there is a meeting that decides to hire gun men to protect the inhabitants of the town. Also, the border design is also used to show the images of the villain mowing down innocent people to depict cruelty of the man. Lastly, it is seen in where Tanner (McQueen), fights the locals. In summary, the depiction of The Magnificent Seven in the two contexts enhances its understanding.
Reference
Karakostas, I., Mademlis, I., Nikolaidis, N., & Pitas, I. (2020). Shot type constraints in UAV cinematography for autonomous target tracking. Information Sciences , 506 , 273-294. https://doi.org/10.1016/j.ins.2019.08.011