The Mares and Foals in a River Landscape is a painting in which three mares and two foals classically composed gives an entire symmetry of a balanced group. The Mares and Foals are painted in a cone-like manner with their hindquarters forming the edge and heads of the peak. The suckling foals useful to the structure allows the observer’s eye to revolve around the entire group rhythmically.
Use of principles in an artwork describes the elements. For instance, color, texture, and lines are an element in the two paintings. The blue horses painting employs the use of mere-rounded outlines. The colors used have emotive and psychological meanings; for example, the yellow color depicts womanly joy in Mares and Foals. In Franz Marc’s Large Blue Horses, the blue color describes unworldliness and manliness while the red color depicts violence. These texture distributions in both paintings are similar since they are symmetrically balanced with the landscape. The lines in both artworks are equally resounded by the contextual scene to emphasize a sense of peace.
Delegate your assignment to our experts and they will do the rest.
The principles of Harmony and Balance are present in the two pictures. The Mares and Fouls painting have harmony principles that are presented in different colors, which poses to create mixed emotions. For instance, the horse to the far right is white, distinctively emphasized and took a different pose from the others thereby depicting high energy and various emotions. The horses in Large Blue Horses are harmonized to represent a grave emotion or mood. Furthermore, the two paintings use a principle of balance to suggest a feeling of rest since parallel objects are at rest. The balance of texture of the horses in The Mares and Fouls and Large Blue Horses ensure that the viewer understands the messages of the artwork.
