In film production, film directors play a substantial role through selecting the cast members, developing creative filmmaking aspects and developing production designs that result in engrossing results in films. Every director must be in possession of the creative aspects of filmmaking in order to ensure that a given film meets the standards and captivates the interest of viewers. As a consequence, production directors induce various approaches that shape acting in the film. For instance, each film consists of different scenes that are joined together to ensure the story flows drawing the intended context. In order to accomplish it, cinematographers need to develop skills on lighting different scenes, how to record and frames different performances and consider different framing choices. In addition, directors uphold creativity in developing fantastic settings where visual distortions are indicators of twisted emotions and spirits (Prince, 2004). In return, this paper identifies different approaches through which cinematographers shape acting in the film using editing and production design.
In film production, there are three main stages that require film director’s total control in order to shape the acting and design of different scenes in the film. Preproduction is the first stage that entails production planning, script development, hiring actors and rehashing on different steps that are necessary for the production of the film. In this step, production directors need to specify different characters that should be assumed by the actors. Moreover, they suggest the lighting of different scenes in the film. For instance, in the film, The Cabinet of Dr. Caligari, directed by Robert Wiene has lighting that shifts from a yellow tone to blue tone during the day and night respectively. Moreover, the transitions employed for different scenes consisted of oddly-shaped circles opening and closing through the transitions. Therefore, directors choose the lighting in the film based on the theme of the film and the benefit of viewers (Prince, 2004). The lighting in a film should be comfortable for viewers while watching.
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Also, in the production stage, the film assumes a certain visible social culture defined by the script used in the film production. The culture defined in the film dictates how the director should use angles to frame different performances. Robert Wiene, the director of the Cabinet of Dr. Caligari employs strange angles for the stage props and mismatches angles in different settings including the distorted towns. Through editing, directors may exaggerate moves taken by actors in order to match the theme of the film. Furthermore, the director gives direction to the film production crew and develops creative visions that are noticeable.
The production design encapsulates different areas in film production including visual effects, editing, sound, and music. In most cases, the director is responsible for creating the pace and rhythm of the film trimming unwanted moments and ensuring that the effects used in the film captivates the viewer’s interest and present the expected results. Considering the production design, the overall visual look of the production is based on the motion of the pictures used in the film. The production design is responsible for gestures used in the film, dramatic and animated performances that should be integrated into the film. For instance, Joseph Mankiewicz the director of All About Eve makes different acting choices based on different scenes that actors need to participate in. The acting choices are also based on character personalities that are relevant to the story presented in the film. In the film All About Eve, there are critical reactions that require the director to make different acting choices for well-cast performances. Therefore, cinematographers shape acting in the film through inducing creative production features to ensure a great overall visual look of the production.
References
Prince, S. (2004). Movies and meaning. An introduction to film. Boston: Allyn .
