The idea by Peter Verstraten in Moonlight film reveals how unfortunate circumstances can shape individual identity. The film explores how poverty, race, and sexuality intersect. The film is about a black boy who grows up in poverty, his experience being bullied because of his softness and his homosexual desires as he grows up into adulthood (Verstraten, 2019). The article author wants to teach his readers about all the ingredients of a social problem film. In his narration, the story of a boy with minimal expectation is presented in three sections focusing on intersecting ideas of poverty, race, and sexuality from childhood, adolescence, and adult life.
The author uses the quality of his character from multiple perspectives; the film revolves around a young African American, being gay and keen on his place in the world. He is presented in a vulnerable and fragile character to portray a complex and multifaceted identity (Verstraten, 2019). The author aims at reinstating a multifaceted identity to convey his primitive sense of wonder that art itself can invoke. Throughout his argument, Peter Verstraten uses his perspective to justify why he is not only interested in merely in reaching a mass audience, instead of Moonlight us a mass Art film that finds a balance in an effortless manner (Verstraten, 2019).
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According to Verstraten, Moonlight is a mass art film because it is based upon all the art principles, which include low production; it exceeds the viewer's expectation. It can quickly strike a chord among the viewers everywhere(Verstraten,2019). In the end, he argues that even though the film is embedded in black culture, it has not been reducing to a political statement when describing some of the myriad issues of the character. Contrarily, he quotes that "viewers with far more privileged backgrounds than the 'boyz n the hood' also empathized with the misfit protagonist" (Verstraten, 2019). In general, the author reveals his complexity of identity by inviting the viewers to connect with his ideologies.
Reference
Verstraten, P (2019). Moonlight as a ‘Mass Art’ Film. Sense of cinema . http://sensesofcinema.com/2019/cinema-in-the-2010s/moonlight-as-a-mass-art-film/
