The self-painting is described as the painting an artist created by the same artist. The self-portrait practice described by Sofonisba is a form of art. Similar to the description provided by Sofonisba and Gentileschi, the paintings created by female artists are monumental contributions to the history of art. 1 This topic intends to describe the female artist and their work. In other words, the topic will be majorly based on the discussion on the start of the female self-portrait. 2 The topic contributes to the proposal that, the practice of the female artists in self-portrait painting is an imperative factor in comprehending female artistic identity.
Objectives
One of the major concepts or objective that are indicated in the topic is the fact that feminist movements are one of the major factors that led to the start of female self-portraits by female artists. 3 A comprehensive study will be developed on the genre of self-portraiture in relation to the Renaissance and Baroque times.
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Discussion/solution
Of the concepts to the expected in the discussion of the above-mentioned topic, it becomes of importance to note that the female artist ideal image was first established by Sofonisba. Among the things that Sofonisba and Gentileschi present in the discussion are the ideal artist and painting allegory. It is also indicated that the ideologies of virtues and nobilities have been considered privileged to the presentation of self-portrait. 4 Additionally, there are many questions that are expected to be discussed in this topic. Among the question is: what promoted the creation of female artists’ self-portraiture. What are the major examples of the female portraits presented by Sofonisba. Do the female portraits are described by Sofonisba able to change the art industry concerning female artistic ideal?
Bibliography
Broude, N. (2018). The expanding discourse: Feminism and art history . Routledge.
Hirschmann, N. J. (2018). Revisioning the political: Feminist reconstructions of traditional concepts in Western political theory . Routledge.
Fraser, H. (2017). Writing a female Renaissance: Victorian women and the past. In Victorian and Edwardian Responses to the Italian Renaissance (pp. 187-206). Routledge.
Pearson, A. (Ed.). (2016). Women and portraits in early modern Europe: gender, agency, identity . Routledge.
1 Pearson, A. (Ed.). (2016). Women and portraits in early modern Europe: gender, agency, identity . Routledge.
2 Fraser, H. (2017). Writing a female Renaissance: Victorian women and the past. In Victorian and Edwardian Responses to the Italian Renaissance (pp. 187-206). Routledge.
3 Broude, N. (2018). The expanding discourse: Feminism and art history . Routledge.
4 Hirschmann, N. J. (2018). Revisioning the political: Feminist reconstructions of traditional concepts in Western political theory . Routledge.
