The events taking place in The Faerie Queene epic poem Book III, Cantos xi and xii shows numerous characters as they pursue significant adventures in their lives. Satyrane and Britomart are two warriors hell bent to helping others in their time of need. This becomes evident chase a giant who was in pursuit of a man (Spenser, 1882). However, when they get into the forest, they are separated. In this case, the poet wishes to show the significance of Britomart, a warrior princes whose armor keeps her gender hidden to the others (Weiss, 2011). This is evident as when she encounters Scudamore, a man who has lost his beloved to Busirane the villain against true love. Britomart travels with Scudamore to the the House of Busirane with the intention of rescuing Amoret (Spenser, 1882). Despite her skillful capabilities, Britomart is significantly flawed as is seen in her encounter at the house. She is largely controlled by here vision which may prevent her from engaging in critical thinking.
The reason why Britomart is in this scene is to demonstrate her romantic heart despite the fact that she maintains the virtue of chastity. She puts her life on the line for the sake of of true love by rescuing Amoret (Weiss, 2011). However, her flaws become profound when she begins to stare at the grotesque images of rape openly displayed in the house. The images clearly depict acts of Busirane raping Amoret believing that he has come against the true love between the latter and Scudamore (Spenser, 1882). He has a false belief about love literally taking the heart of the lady out of her chest an action seen as metaphoric rape (Weiss, 2011). Britomart’s flaws make her stay for too long as she stays into the night making Scudamore believe that something may have happened to her (Spenser, 1882). Unlike other warriors or knights, she fails to take proactive measures during the rescue as she only awaits until night fall. However, this may also serve as a strength, while other warriors may act impulsively when tackling a villain like Busirane, her patience helped overcome him in the end.
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References
Spenser, E. (1882) Faerie Queene , Book III, Cantos xi and xii (pp. 375-401) http://www.luminarium.org/renascence-editions/queene3.pdf
Weiss, N. (2011). " Conveyed quite away": the necessity of maintaining the boundaries of otherness in the Amoret-Busyrane episode of Edmund Spenser's the Faerie queene. Honors Theses , Paper 131.
