Love remains a phenomenal thing to all humankind alike. Sappho’s viewed love as one single great force that contained the strength to change mountains and move trees. She clearly states that love possesses the capability to change the whole world for the better. Through her lyrics, one can realize that she is acquainted with a beauty that does not just appear when it is desired, but one that needs to be found. Love, the greatest of all, is one of the highly sought after things by mankind, and a majority spend a better share of their lives just to find it. In this piece of literal letter, I explore the persona of love and Sappho’s attitude towards the same and further expedite on Sappho’s expression to Aphrodite, the goddess of love.
The manner in which Sappho cherishes beauty and love in her poems immensely contributes to our contemporary culture. Sappho’s poems are concentrated on the inner feelings and motivations. That was a major boost for her as a poet. It is commendable that on the manner she uses her work to admonish members of the society. Expression, especially through carefully chosen words, is a key way of expressing love (Burnett, 1983). Motivation is a major element in the poems and that made her get more followers.
Delegate your assignment to our experts and they will do the rest.
Lesbianism is a vice that was highly promoted through her poetry. Despite the fact that humans were viewed as natural creatures; it is only correct for her to recognize the negative effects of the vice and avoid ways of promoting it. Nevertheless, her contribution to the growth of these women was quite immense (Obbink, 2014). She nurtured them and jotted songs of love and adoration to them. Her style was equally melodic and sensual. What more does a human want other than to be happy, make merry and feel appreciated? Those remained the key tools in her poetry that propel her to the next phase in her literally work (Obbink, 2014). Some of her work suggests that as much as it more socially and morally right to marry a person of the opposite gender; one’s true love could be the individual whom the gods have chosen for an individual. Love remains the greatest force overall and it is fundamentally not based on gender. Her teachings to some extent allow the society to view sexuality in a beautiful and intimate manner.
Love continues to play a center stage in the most activities in the society today. Love stays a force that can move all things. She literally explains that for life to start, love is required. For a child to experience prosperity, the child must be loved and also learn to love. She asserts that love is not just for the strong and lucky but can be experienced by everyone. Love should be all-around for one to experience totality and satisfaction (Garner, 2015). One needs, like Sappho, love for family, lovers, friends, gods and goddesses and the beauty of the universe and the things therein. Persons are born half and have to find the other half; true love to be complete. Sappho approaches Venus, her goddess and begs her to assist her in love life. She says “O Venus, daughter of the mighty Jove, most knowing in the mystery of love help me, oh help me, quickly send relief” (Burnett, 1983). Sappho believes in the supernatural touch in the issues to do with love. She clearly pleads with the goddess of love to help her and not allow her to succumb to suffering. Her major necessity is to locate her true love.
It can censoriously summarize that love remains a pillar that permits smooth operations in the society. Some of the ways tragedians can avert the tragedy that comes with love include; consulting a divine authority, continually motivating their loved ones and making the right expressions that can fuel love.
References
Bremmer, J. N. (2014). From Sappho to De Sade (Routledge Revivals): Moments in the History of Sexuality . Routledge.
Burnett, A. P. (1983). Three Archaic Poets: Archiclochus, Alcaeus, Sappho . Duckworth.
Garner, R. (2015). From Homer to tragedy: the art of allusion in Greek poetry . Routledge.
Obbink, D. (2014). Two new poems by Sappho. Zeitschrift für Papyrologie und Epigraphik , 32-49.
