The red balloon's first shot has the main character in the spotlight. He is the immediate picture that appears with different color variations. Color richness starts from a dark hue to a much more defined one as the shot advances ( Goodall, 2018) . The main character is centrally paced creating a depiction of him being the central part of the shot. Other items such as the city are kept in the background and they have a blurry appearance keeping them out of focus. A point of view is created within seconds to show a little boy emerging between two buildings. The view follows the boy as he gradually walks into the scene. The shot reveals the items the boy has on him such as his briefcase as well as a stray cat on the street.
A medium-long shot is used in the shot as the camera begins to follow the boy. Even when he stops, the shot continues revealing the rest of the city while at the same time having the boy in the detail. Multiple screen positions and directions are used in the final shot of the film. Continued editing in the shot continues with balloons floating in the air being shown. The shot moves from frame to frame paying attention to the speed at a fast-moving pace. Magnetic balloons are shown floating in the city on their own. The main character’s happiness is shown with a close shot in the end with balloons coming to him and he floats away with them. As the shot was depicted in a frame by frame, the director was able to create an illusion that the balloons had a magnetic force effect ( Goodall, 2018). Camera positioning at different angles was used to show the balloons in their movement.
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Reference
Goodall, M. D. (2018). The Three Winds of Albert Lamorisse.
