The episode appears to be more of direct adaptation to James Whale’s 1931 Frankenstein but has been greatly skewed with an intention of letting it make sense in the modern times. This is evident in the creation of a monster, and the archetypal mad scientist. Both the two plays revolve around a monster that is culturally stereotyped. Besides, there is the use of black and white, as well as the film shots, angles and the use of lighting. Like all other X-Files episode, it has a deep sense of loneliness and loss in the manner in which Mulder cannot afford a happy ending in the play. Loneliness and loss are the twin emotional engines that drove this episode, just like other episodes of X-Files. More importantly, the episode has deftly blended its twin influencers of Universal comic books and horror movies. There is also the gorgeous idea of black and white cinematography in the episode. Specifically, there is glorious filming of the confrontation between O’Hurley and the monster’s father.
This was an episode with a lot of fun, and unique if not for the case of the sexual assault scene. Basically, the whole plot of the episode has been properly put together in a sense that it totally detracts the viewers from the normal kooky little tale that viewers are used to particularly on its memorable moments. For instance, the point at which Scully responds to Pollidori’s statement of not expecting their heroes to properly understand his experiments. Scully defiantly responds to this by saying, ‘I am a scientist, for one.” Besides, the episode presents genuinely poignant moments that has been lacking all along. This is well brought out when Mutato starts to watch a film that tends to depict people like himself fall in love, and he desperately starts to sob over the body of Pollidori after finding it. This brings the emotional gut punches in the episode. The episode has successfully revealed Scully’s infertility that none could have expected. Nonetheless, this makes her abduction quite horrifying. Actually, the current world appears to be quite eager in restricting the reproductive autonomy of women and representation of such in the episode tends to greatly underline the conspirators’ ruthlessness in a fantastic manner that intimately feels real.
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It is as well worth noting the too much focus on Scully on this episode. Her experiences have been focused maybe because she is intimately affected by the whole conspiracy more than Mulder. However, we fail to see the effect on Scully as much as we do on Mulder. The episode has internalized the way she deals with things, and this explains why more time is dedicated in the episode with an intention of teasing it out.
The episode’s great weakness lies in attempting to make the viewers believe that the townspeople are quite gullible to an extent that they will be okay, even after realizing what the old man did in an effort to find for his son a mate. It is repulsive and ridiculous to think that this man would impregnate all the women in the town with farm human and animal hybrids. This is a monster that should not be let off the hook.
