Trinh T. Minh-ha, a postcolonial feminist theorist, in “Not You/Like You: Postcolonial women and the interlocking Question of Identity and Difference” tries to explore and interrogate common assumption held about identity, culture, political and historical perceptions about cultural difference. Trinh further attempts to analyze the tendencies of thinking about variances with the purpose of position thinking in the fault line between cultures.
He examines the standpoints of critical consciousness, dialogic discussions, third space positioning through the perception of feminist theories, literary theories, and historical inquiries and suggest how these opinions may lead to the understanding of cultural identifications. In this brief article Trinh ties to explore the meaning and concept of identity and difference. He notes that identity separates entity into outsider and insider groups. In contrast, he expresses difference as an identity from one another without including separatism (Minh-ha, n.d).In this case, Trinh keeps that difference undermines the idea of identity. Trinh further explores these concepts as strategic values for postcolonial and feminist politics. Similarly “Treacherous Subjects is a thought-provoking analysis of Vietnamese literature and films viewed through feminist lens. The author Lan Duong examines the postcolonial production of authors like Trinh T.Minh –ha. Duong tries to illustrate how history has history has formed the loyalties and the unstable alliances of the Vietnamese whom most are divided between supporting and opposing the forces of communism, nationalism, and patriarchy (Duong, 2012). In this Article, Trinh T Minh-ha together with other feminists theorists look into the subject of ethnic minority character that stresses the mutual oppression between women and the ethnic others. This article which two present-day films by Vietnamese women, the author tries to cover an orientalist view of the racialized difference in the films.
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The feminist theorists in this article try to consider the feminist film optic which does not look into constructions of race, industry history to mark out the encrusted relations that underlie Vietnamese filmmaking. This article attends ways in which female filmmakers explore the gendered ways of sexual desires, looking and others in constrictions of a highly male-dominated film industry.
References
L P. Duong, 2012. Treacherous Subjects – Gender, Culture, and Trans-Vietnamese Feminism . Temple University Press.
Trinh T. Minh-Ha, (n.d) “Not You/Like You: Post-colonial Women and the Interlocking Questions of Identity and Difference”
