The writer is trying to elucidate the traditional and cultural ways of the Bamako people and how they acted in the society. The modern music tries to blend in both the traditional ways of the Bamako people and the current methods. The modern music genre shows how the urbanized Bamako people express their music. The traditional music portrays the Acropolitan ethics of the Bamako people. The society highly regards the moral and ethical aspects of the Bamako people. The Bamako people identify themselves as a community through the group performing by the Bamako dancer. The Bamako people have a legal court system that deals with cases that affect the legal jurisdiction of the Bamako people. The writer shows how the Bamako people have rules and regulations that help in governing their social and cultural behavior. The people living in the modern area have changed their music and art performing. However, the language of the Bamako people of both the town and rural people are the same.
How does this chapter employ social thought and theory to elucidate the lived, conceived, and perceived spaces of urban life in Bamako?
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The Bamako people lived a life that was a social life that upheld the traditions and culture of the Bamako people. The Bamako people shows the growth of individuals of Bamako people in the wilderness. The Bamako people lived a life that was sociocultural that promoted unity and coherence that led to strength among the community members. The social-cultural practices of the Bamako people helped solidarity among the Bamako people and gave the Bamako people a sense of identity. The Bamako people have the courts known as the maloya which ensures to deal with unethical practices in the Bamako community. The maloya ensures that people who against the laws are punished according to the rules. The Bamako people lived in an environment that is free of danger, and the community assured communism was practiced at large in the community
