Dystopian represents a society that is worse than that of the writer in various ways. In such a society, the individual is highly oppressed and lacks privacy. There is no diversity since the government emphasizes on community identity and stability by maintaining their governance structures and economic activities (Ratorangi & Stephenson, 2014). Therefore, society is controlled by the regime or government in place, and there is no value of individual fulfillment since the government aims at maintaining its image to the outside world. The dystopian point of view has negatively influenced literature. It has limited the development of literature due to its strict measures put in place. There is limited or even prohibited communication by the government; thus, the culture of potential writers is undermined and not promoted.
Much of the women’s literature has reflected the concept of a dystopian view. Women’s literature has viewed dystopian as a never-ending nightmare as it is unbearable. The dystopian view has limited their human rights, and they excluded from major duties to the state. For instance, a pregnant woman by rape is denied an abortion and is charged with false accusations by the police and ends up being prosecuted (Ditum, 2018). The government has put in place its own national objectives that need to be accomplished at the expense of literary forms, friendships, religious beliefs, and family relationships. Generally, the dystopian view is evident due to its dehumanizing nature to women.
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This form of literature is typical to any marginalized group because it gives the group an opportunity to explain their grievances. The grievances might be taken into considerations and addressed by the government to suit their demands. It is, therefore, important that any group that finds themselves devalued should write the same literature as this has proven to bear fruits.
The history of women has influenced literature greatly as far as the dystopian point of view is concerned. Many women have formed organizations aimed at maintaining their dignity by eliminating the injustices that women passed through in the past. The organization ensures fair treatment for all women, regardless of their social or educational background. Men used to dominate the world of literature, but women have also entered into this world and have succeeded. Women’s writing experiences have been empowered greatly by their predecessors and contemporaries in several ways. Firstly, they have challenged women writers to be more aggressive when championing for their recognition in the society. Secondly, they have enlightened women writers on the possible obstacles to encounter and how to overcome them. Finally, it has led to an increased passion for writing due to the positive impact of their work on the community.
The roles of women in society and culture have changed as men have been viewed to be superior and women inferior. This has led to the division of what roles each gender has to play. Since women are considered to be inferior, they are not entitled to higher jobs in the state, such as getting involved in politics and running for offices. Women are thus, required to hold junior roles in any working environment even if they had the relevant education. Women are obliged to be submissive always to their authority and home-makers to their husbands. This has led to discrimination since it has created a big gap that has led favoritism in workplaces. However, due to women’s voice in literature, women have been empowered to run for political positions in the state and vie for senior posts in the working environment (Alter, 2018). Therefore, it is important to note that the study of women literature has transformed society. Their literature has clearly outlined the duties and responsibilities of each gender and how to identify each gender based on how effectively they handle their tasks.
References
Alter, A. (2018 October 8). How feminist dystopian fiction is channeling women’s anger and anxiety. The New York Times. Retrieved from https://www.nytimes.com/2018/10/08/books/feminist-dystopian-fiction-margaret-atwood women-metoo.html .
Dutin, S. (2018 May 12). Never-ending nightmare: why feminist dystopias must stop torturing women. The Guardian. Retrieved from https://www.theguardian.com/books/2018/may/12/why-the-handmaids-tale-marks-a-new-chapter-in-feminist-dystopias.
Rotarangi, S., J., & Stephenson. J. (2014). Resilience pivots: stability and identity in a social-ecological-cultural system. Ecology and Society 19 (1): 28. http://dx.doi.org/10.5751/ES-06262-190128.
