Type of Actor : In the first clip, Stewart utilizes the Chekhov acting technique. Stewart physicalizes Ted Barker’s needs and internal dynamic through the external gestures evident in his explanation to Nora Paige. One could see facial and general body gestures. By focusing on transformation, impulsive thinking, and inner and out movement, Stewards expresses his affection for the girl. In the second clip, Stewart uses Uta-Hagen acting technique. Steward, as John Ferguson, uses thoughts before his lines. One could see facial and other physical expressions preceding his lines. Also, Steward throws long pauses between his lines, which is characteristic of the Uta-Hagen acting technique.
Working With the Camera : In the first clip, Stewart is, in most instances, still before the camera. Stillness enables the camera to capture Stewart’s facial expression on a closer level. The camera in the first clip is more or less still. However, in the second clip, Stewart moves a lot in front of the camera- the camera’s position in relation to Stewart is dynamic, continuously changing. The camera moves with Stewart as he paces in front of the camera. Instead of cutting to capture a scene from a different point, the camera moves with Stewart, ensuring a greater level of continuity. Unlike in the first clip, Stewart incorporates more acting within his lines.
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Suiting Acting Style to the Style of the Film . The bring out the romance part of the first film, Stewart utilizes various external gestures, which is characteristic of Chekhov’s acting technique. Stewart introduces facial expressions and hand gestures that complement his romantic life. In the second film, which is more about investigation and detective work, Stewart is more inquisitive. When asking questions, Stewart inserts noticeable pauses and stutter when making some of the sentences. Such pauses and stutter showcase the process of using thoughts before saying a line. Such a technique complements this type of film and the character of the detective; although asking structured questions, the investigative film depicts detectives as people who are inventive in interrogating people, as evident with Stewart’s character in the second clip.
Communicating Inherent Processes : In the first clip, Stewart explores human emotion to communicate inherent processes. To help the audience understand the affection between Ted Barker and Nora Paige, Stewart sings his lines. That way, the lines managed to come out with greater conviction of his ability to love Nora irrespective of her status. Elsewhere, unlike in the first clip, Stewart communicates inherent processes through rational and thoughtful questioning. Serious questioning, absence of facial expressions to show anger, happiness, or concern helps to define the relationship between John Ferguson and Madelaine Elster. Unlike in the first clip, where the facial expressions and bodily gestures suggested a close relationship between Ted and Nora, Stewart distances himself from Madelaine.
Connection With other Characters and Space : In the first clip, Stewart’s acting is directed towards showing his close connection with Nora Paige. Therefore, he ensures that there is a small physical connection between them. In addition, Stewart minimizes the amount of movement inset- when he moves, Nora also moves, ensuring that they are always close together. On the other hand, in the second clip, Stewart distances himself from Madelaine. To ensure that they are always seen distant, Stewart ensures that there is a huge space between him and Madelaine. He moves around more inset to ensure that they maintain their distance. Also, unlike in the first clip, Stewart uses a more serious tone to help define his relationship with Madelaine. Stewart utilizes different tones and connects differently with his physical space to help define his relationship with fellow actors.
