Reference of the reading
Allen, A. (2016). The end of progress: Decolonizing the normative foundations of critical theory . Columbia University Press
Brief Summary
Despite the post and decolonial theorists having intensively debunking on the historical notion of the progress being a neocolonialist fallacy, imperialists and Eurocentric, majority of the renowned contemporary based thinkers linked with the Frankfurt School have often been at the forefront of defending the progress, modernity and development ideas. On the same note, they have even compiled ideas of such to fit with their normative claims. Hence, the question that arises is whether the Frankfurt School objective of change socially the withstand critique. Another problem that occurs is then how a decolonized critical theory appears.
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Allen manages to fracture the critical theory within the dispensation of the following study of history while maintaining the progress as being politically imperative. On an analytical basis, Allen remains as the best resource for realizing the emancipatory types of social goals. In the aligning with the decolonized critical theory following the conclusion of progress, she manages to rescue it from the oblivion and offer it a future.
Brief Explanation
Any desired music may be performed for an epilogue; it has no labeling of ‘Postlude.' For the cases of graduations, normally cheerful music is utilized. In services associated with worship, organists will occasionally play silent hymn arrangements while the congregants walk out. For sure, something that is very somber and contemplative is mentioned in funerals.
A postlude refers to the music conducted after the conclusion of the meeting. Mostly it is given an ear after sacred, ceremonial or religious conventions like weddings, funerals, graduations, worship services and many. Music intends to ensure the continuity with the feeling of the particular meeting while the attendees leave the scene.
The music may be carried out by the ensemble or instrument or by vocalists or choir, despite being rare except weddings. Postludes are often carried on piano or an organ at worship services. For graduation ceremonies or related services, band or orchestra may also engage in playing the postlude.
One Resource to Enrich the Understanding
Bradley, C. R. (2004). From Postlude to Prelude: Music Ministry's Other Six Days . BookBaby.
Stengers, I. (2018). Postlude. SubStance , 47 (1), 146-155.
Two (2) Questions
What is the value of postludes?
Where are postludes often being played?
