The Black African Society is an African history drama developed in two settings; the thematic setting of Traditional African Society with elements of tradition, conflict, and change, and the locational setting of the interior flora of the African savannah landscape. The race depicted in the film is the Black African Race; thus, the title 'The Black African Society' (Aitken, 2003). The film brings out the interaction of two conflicting races of the Caucasian Supreme rule and the Black African race. The role of the 'Black Africa n' race comes out in unique ways. Firstly, the race helps a great deal in developing the themes of tradition, culture, socio-economic setups (Prorokova, 2015). Therefore, the film can bring out a clear and concise understanding of the race and the societal principles binding a set of people making up the Black African race (Scordo Yasar et al., 2001). Secondly, the race identified by technological inferiority brings out a meticulous comparison with the Caucasian race. Thirdly, the race promotes an ulterior black African identity.
In the modern incendiary era, where rehabilitation is no longer a core tenet of liberalism, but the topic of controversy, the virtue of collective consciousness is portrayed as a shifted ideology. As depicted in a locational setting, the race brings out the interiorized way of life that overrides life that encompasses change and suffering for liberation. The reading and presentation irradiate the grip of what the film represents and depicts a race that is entangled in tradition and suffering in liberation from colonial slavery. Among the limitations the incarcerate people have to deal with is racism and racial segregation from fellow inmates and officers. Derek Vinyard, the former Neo-Nazi, is the icon of racism in the film, and his past choices influence his life and that of Danny, his sibling. While the events are narrated chronologically, Derek and Danny's current racist thoughts are presented in color while past ones are either in white or black. The film exemplarily indicate that there is a connection between violence and crimes to racism in prison. Due to segregation, the inmates tend to surround themselves with like-minded individuals for companionship and protection, giving rise to prison gangs. As a white inmate, Derek considers himself a racial minority, which contrasts his former life in pursuit of protection, he joins the racist white prison gang. Although the group has not been given a name yet, racism can be seen in how the white, Hispanics, and Afro American groups are constituted.
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A citation from Smedley reading on the film America History X by Audry Smedley," Without the pressures of antislavery, especially by the abolitionists, there might have been less need or incentive to construct the elaborate edifice of race". This quote backs the idea in the Black African Society, of life and that the African race had to endure abject suffering to liberate themselves from the Whites Supremacy (Prorokova, 2015). The ideas that come out crystal clear from the film include the way of life of the African society, the invasion by the White Supremacy, and the resistance and conflict between the two races. Concerning the prison life, social, psychological, and physical boundaries are the definitions of prison groups and racial constructs. Notably, the incoming inmates import their previous lifestyle behaviors to prison. This is what openly depicts the positions the inmates assume about a given prison gang. American History X is a call of de-radicalization of white supremacy through understanding that prosperity of prejudice in societal exile can be combated.
References
Prorokova, T. (2015). Film Review: Racism in American History X. Peace Review , 27 (4), 538-544.
Aitken, S. C. (2003). Composing identities: films, families and racism. Journal of Geography, 102(1), 2-12.
Scordo, M. G., Aklillu, E., Yasar, U., Dahl, M. L., Spina, E., & Ingelman‐Sundberg, M. (2001). Genetic polymorphism of cytochrome P450 2C9 in a Caucasian and a black African population. British journal of clinical pharmacology , 52 (4), 447-450.
