Auteur theory is a film making approach where the director is believed to be the critical force in the motion picture. The approach arose in France in the late 1940s and the term was coined by Andrew Sarris at the time, a significant film critic from the United States. One of the cornerstones for auteur theory was the Nouvelles vague, also referred to as the New Wave approach applied by author and director in Bazin’s periodical Cahiers du Cinema established in 1951. Some of the notable directors in the genre are Jean-Luc Godard and Francois Truffaut. Godard developed to become one of the notable directors of movies in the New Wave of France. A notable director of the theory is Wes Anderson, who has pioneered as both the writer and director of his movies.
Wes Anderson is one of the directors producing movies aligned to auteur theories. On this note, he is one of the directors whose movies are seen as one of his authorship because they have defining details that comprise the finished piece of his artistry. According to the auteur theory, one of the jobs of a director is taking charge of the creative process during the production of a film. Anderson has been critical in ensuring that some of the critical decisions in the production of the movie are attributed to him, which is one of the aesthetic outcomes of his movies (Kornhaber, 2018). Moreover, he has been essential in ensuring that he gives the green light in every decision during the production process. Due to this approach in film production, his films are characterized by his stamp regardless of the nature of the artistic output.
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The historical background of Anderson’s works is associated with his personal experiences. He grew up in Houston, Texas, where his parents divorced while he was eight years old. The familial background has often been cited as one of the factors that his films have expounded on the auteur methodology. For instance, most of his films are based on family issues, indicating that his broken past is a motivational contributor to his films. However, he has ensured that his contribution to the storytelling and the subsequent outcomes of his films reflect his background and willingness to counter some of the issues that affect society. Although they do not have a singular genre, his films have some common themes because they incorporate comedy, romance, adventure, drama, and fantasy. Consequently, his auteur approach is portrayed because he focuses on storytelling and writing, making him one of the most successful auteur filmmakers in the industry.
Anderson's themes are some of the hallmarks that provide an insight into his personality and what influence his works. Numerous of his films have focused on families and dysfunctional families. Tersely, the fact that his family broke up when he was a young child is one factor that can be attributed to his storyline. Since his father left when he was a young boy, the experience has led to the production of films such as The Life Aquatic, The Darjeeling Limited, and The Royal Tenenbaums . Their primary themes are the role of a parent within the family (Joseph, 2018). The movies focus on a missing parent or a child going through the experience of missing parental support.
Wes Anderson is an accomplished auteur director whose life experiences have led to the production of movies that underline his accomplishments as a director who is also focused on telling his life experiences in the movies' plot. On this note, he is one of the most notable auteur directors in the modern film industry, based on his experiences and his need to portray his ability as a storyteller based on his experiences.
References
Joseph, R. (2018). Wes Anderson’s The Royal Tenenbaums: Writing and Forgiveness. Texas Studies in Literature and Language , 60 (2), 212-227.
Kornhaber, D. (2018). Wes Anderson, Austin Auteur. Texas Studies in Literature and Language , 60 (2), 125-128.
