In the Black Panther movie, T’challa returned home to become an heir of Wakanda after the death of his father. However, at his return, he realized the isolation and technological strides made by his African homeland. Unfortunately, an old powerful enemy reappeared seeking to harm the new king, his kingdom, and the entire world. Therefore, T’challa had an obligation of fighting the imminent danger and treachery pursuing him with the aim of freeing Wakanda and the world at large from the venomous attack of the enemy. In this case, the king had to assemble his followers and release the full power of Black Panther to defeat his antagonist. Movie reviews are vital because they enable fans analyze the artistic and technical skills of the movie. Furthermore, they depict its messages, cultural representations therefore enable fans, and parents determine whether the film is appropriate for their children. This essay gives both positive and negative reviews of the movie Black Panther.
Positive Reviews
The Black Panther movie is unique because it portrays the aspect that with great power comes great responsibility. Apparently, the movie not only highlights T’challas’ responsibility to Wakanda but also defines Wakandas’ responsibility to the world. With a setting in the fictional central African nation of Wakanda, the superhero genre is evident in the Marvel Studios once again (Rhodes, 2017). King T’challa has the responsibility of securing the safety of his kingdom and the world from the imminent attack of a past powerful enemy. The Black Panther rallies up his allies and equips himself with a bulletproof suit. Besides, he fights tactically with speed and agility in defense of his motherland. Chadwick Boseman, the films anchor employs a competitive cast consisting of cinema celebrities like Lupita Nyong’o. This actress acts as a close friend of T’challa who is hopeful that Wakanda will save the world from the enemy pursuing them.
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The Black Panther movie is revolutionary and Afro centric. The film highlights a black cultural fantasy, which has been nonexistent in cinematic studios for a long time. Nonetheless, it contains fresh sights and sounds, a great milestone for its casting and director Ryan Coogler. Furthermore, it tells a story about the fate of the world basing on family secrets and sins of ancestors, which affects the enjoyed peace, and tranquility leading into a natural face-off. Fictionally, the Wakanda nation exists in East Africa. According to Rhodes (2017), the state has advanced civically and technologically unlike the real third world countries. Additionally, the culture of this nation is rich and attractive as demonstrated in its fabrics, rhythms, and vibrant colors. Nonetheless, the Wakanda nation possesses valuable resources like vibranium, which it refuses to share with other nations therefore living as isolationists.
Black Panther has elevated the role of women in movies and the society. T’challa, the young king of Wakanda travelled to a spiritual journey and spoke to his dead father who advised him to surround himself with the people he trusted. (Pearson, 1994).He heeded to his father’s advice and as a result surrounded himself with women. Apparently, they are at the frontline of the actions in the movie as battle leaders. For instance, Lupita Nyong’o acts as Nakia and the kingdom’s spy. She is a warrior in the film because she freed up her fellow women captured by the Boko Haram militants. Furthermore, Okoye, T’challas right hand woman is not only the kingdoms best fighter and protector but brilliant and smart at the same time. Additionally, women in Black Panther form the future military as well as innovators of technology . Shuri, T’challa’s sister was the mind behind using vibranium as a medical technology, therefore bringing a difference in Wakanda. In this case, the women in the movie are represent strength, brevity, smartness and humorous.
The Black Panther movie portrays the beautiful African culture. First, Wakanda is a kingdom with several different tribes each with a unique style. In the film, the border tribe lives in the mountains that hide the Wakandans who live in villages. They are skilled riders who ride armored rhinos. Besides, in T’challas room of throne, the movie displays Wakandan texts inscribed on the walls. Apparently, the inscriptions originate from Nigerian and they played a great role in africanisation of the movie, (Pearson, 1994). Additionally, one of the Wakanda elders adorns in unique locks of the OvaHimba women, who reside in the desert climate of northern Namibia. Furthermore, Angela Basset who acts as Queen Mother in the film wears a large headdress and smaller hats in the rest of the scenes. This hat originates from the Zulu culture and is for married women. Female soldiers of the Benin Republic in the 1600s wore the military regalia that the women used in the film. Nonetheless, Black Panther celebrates the traditional African society, the beauty of black women, and the preservation of their identity as evident in the regalia worn by Nakia, Okoye, and Shuri. Similarly, the antagonism between T’challa and Killmonger represents the popular ideological debates in African communities especially the condition of black America.
Negative Reviews
According to opponents of the Black Panther, the strain is easily visible. It is a shame that T’challa, the African superhero is empathetic, as he does not go around beating up the “bad guys,” an act that rarely happens in heroic movies, (Pearson, 1994). Instead, the young king has to deal with the sins of his ancestors. In this case, instead of using vibranium to attack his enemies, he ensures that the resource remains in safe hands otherwise; the kingdoms enemies would turn it into a destruction force.
Some critics are of the opinion that Black Panther struggles because it is unaware of what it really wants to pass to its fans. For instance, it wants to be a James Bond would-be or portray a superhero show. Apparently, it lacks colorful moments for instance it depicts rhinos in armory, nippled breastplates, intense scenes of battle and magnificent waterfall scenery. Additionally, the movie depicts a poor screenplay as Coogler rushes from one scene to another, (Rhodes, 2017). For instance, it is confusing who is fighting whom in the battle scenes. Furthermore, as for the music, it seemed more of a dirge for the action part instead of giving it more energy.
Critically , Black Panther is a consolation movie for people with color. It lacks the good works and positive features of other Marvel movies. It is a failure right from its inception, directing, acting, costumes, and music. Furthermore, the film is suitable only for black adults and their children who have been hopeful of seeing a black superhero. Additionally, the movie tries to ape the British star-studded pieces therefore failing to narrate the black lives that matter through pain; instead, they narrate them via their victories, (Rhodes, 2017).
The Black Panther is a movie, which displays the fact that with great power is great responsibility. This is evident when Tchalla in his new role as king of Wakanda has the obligation of fighting the enemy in protection of his kingdom and the world. Furthermore, the movie is revolutionary and Afro centric as it has advanced technologically and civically unlike the real African third world countries. Additionally, Black Panther has elevated the status of women, as they are warriors, inventors, and protectors of their kingdom. Besides, the women portray the beautiful African culture through their beauty and the African regalia they adorn. Every good thing has its negative side, as the Black Panthers’ Strain is easily visible when T’challa is empathetic of his enemies. He does not fight his enemies like other movie heroes. The movie is a consolation to black parents and their children who have long been waiting for an African superhero, and they got one. Nevertheless, the film struggles because it lacks a plan of what it really wants. Critically, it aims to display numerous aspects like the hero, rushes from one scene to the other and its music plays contrary to some of its themes.
References
Rhodes, J. (2017). Framing the Black Panthers: The spectacular rise of a Black Power icon . University of Illinois Press
Pearson, H. (1994). The shadow of the panther: Huey Newton and the price of Black Power in America (p. 112). Reading, MA: Addison-Wesley
