25 Jul 2022

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Color Theory in "Mona Lisa" and "The Creation of Adam"

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Mona Lisa by Leonardo Da Vinci 

The Mona Lisa painting by Leonardo Da Vinci is one of the most talked pictures in the world. Primarily, what keeps the art in the limelight is that the life of Da Vinci himself was full of mysteries and controversies which are being realized and revealed today ( Garrard, 2018 ). Furthermore, the painting is being studied by an artist from across the globe to gain inspiration and academicians to discover the mystery that shrouds and surrounds the picture. The art is known to harbor and as a carrier of secrets, symbols, and other unknown mysteries that keeps the painting going for a long time. One of its mainly outstanding features is the use of color. 

Da Vinci in his painting the Mona Lisa he used oil paints and the technique of sfumato as he intended to make his picture look real. Moreover, the made his underpainting by adding black and white to pure colors. By diluting his oil paints for the painting, Da Vinci layered transparent glazes mixtures of black-shade and pure tone ( Garrard, 2018 ). This enabled him to enhance the sense of depth in his picture. Consequently, through applying purer light colors instead of the darker glazes, he created a warm luminosity in Mona Lisa. 

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The per-iconographic is evident in the serenity that comes from the sfumato tonality, muted color scheme and the harmony that is created by understated drapery and sitter pyramid-shaped pose. On the other hand, the iconographic of the image is through the smile, folded hands, and the face ( Garrard, 2018 ). These aspects indicate the main elements that can be used in the interpretation of the painting. Similarly, the iconological in the picture is that the Mona Lisa Da Vinci was trying to communicate his emotions and feelings about other people. The symbolic meaning of the Mona Lisa has not yet been agreed as new information and details are arising from it each day. 

The Mona Lisa By Da Vinci 

The Creation of Adam: Michelangelo 

The creation of Adam is one of the most famous artworks by Michelangelo and in the painting, he used the fresco technique. He learned the technique from il Ghirlandaio in Florence the painting mainly appears in spiritual form and shows the beginning of God created Adam with his image. Moreover, the expression in the picture is primarily one of the most dynamic actions from God ( de Campos, Malysz, Bonatto‐Costa, Pereira Jotz, Pinto de Oliveira Junior, & Oxley da Rocha, 2015 ). The work mainly forms one of the stories in the holy bible in chapter one of the Genesis. Similarly, behind Adam Michelangelo showed the world we living in and how God created it before he created man. 

The primary emphasis of the painting is achieved through the value of the picture that is contrasted by using a darker color tone in the background. Primarily, in the art, Michelangelo mixes both black and white colors to maximize the contrast of the colors that are used in the picture. Moreover, in color with the highest luminance is the yellow of Joseph’s. The yellow robe has several qualities from the earlier used giving the painting its outstanding look ( de Campos et al., 2015 ). Through using such a wide technique in luminance, he achieves a vivid depth from shading. This is the reason why most individuals still are contemplating how Michelangelo was able to use such methods. 

The per-iconographic meaning of the painting is that the body should be mainly celebrated as a reflection of the beauty of the human soul and a reflection of divine beauty. The iconographic of the picture the touch of the God to Adam which takes place spiritually. This does indicate that God is trying to reach out to Adam an inspiration from the bible ( de Campos et al., 2015 ). The iconological of the painting occurs as the picture is a spiritual message that asserts God is the creator of all universe and humanity. 

The Creation of Adam by Michelangelo 

The Night Watch – Rembrandt van Rijn 

The painting is a 1642 art by Rembrandt van Rijn in a collection of the Amsterdam museum. The picture is famous for its size, the dramatic use of shadow and light, and the perception of the static military group portrait. However, the name of the painting is misleading as the scene takes place during the day and not the night as the name indicates. The picture is darkened through the accumulation of several layers of varnish and dirt that gives the image the appearance that the scene occurs during the night ( Smith, 2014 ). This shows that skill work of the artist that he had put into practice in creating the masterpiece. Additionally, the painting employs several other colors which include yellow, black, white, and red which gives the art the much illumination it has. 

The per-iconographic meaning of the painting is that it depicts a was council meeting as most of the individuals in the scene are armed and ready ( Smith, 2014 ). Further, the iconographic in the picture is achieved through the dialogue that is taking place in the art as if they are negotiating the war terms. Additionally, the iconological in the picture is shown through it representation of the Dutch militaria. 

The Night Watch – Rembrandt van Rijn 

References 

de Campos, D., Malysz, T., Bonatto‐Costa, J. A., Pereira Jotz, G., Pinto de Oliveira Junior, L., & Oxley da Rocha, A. (2015). More than a neuroanatomical representation in The Creation of Adam by Michelangelo Buonarroti, a representation of the Golden Ratio.  Clinical Anatomy 28 (6), 702-705. 

Garrard, M. D. (2018). Leonardo da Vinci: female portraits, female nature. In  The Expanding Discourse  (pp. 58-85). Routledge. 

Smith, K. (2014). Milk, and: Night Watch, and: He Remembers His House, and: Ghost, and: Intaglio.  The Missouri Review 37 (4), 53-57. 

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