“Doing Family Photography” by Gillian Rose is a good text that brings realism in the contemporary overlooked and undertheorized family photography practice. Rose’s approach is compelling, especially when highlighting the mobility of her family’s photographs and how they can change the phase of the family on how they trend in the media. Photography is exceptionally a significant practice that revolutionalizes with the introduction of new media that offers a platform for sharing family experiences through photography with the whole world. The book conceptualizes on the practice of family photography as a social practice that moves beyond what the images represent to impacting other lives as the photos are a record of experiences that some brings back memories. For instance, Rose illustrates this in the case of how family photographs were significant to her and the family after the 2005 London Bombings ( Rose, 2016) .
The book focuses on family togetherness and the impact of family photographs as a spatial and temporal component. Photographs, according to Rose, helps in extending the family togetherness. Through the photographs, Rose explores an important topic on feminism. It is evident that the domestic order is a traditional woman responsibility, and through this domestic order, women can easily negotiate on the acceptance of motherhood and the traditionally feminized subjectivity ( Rose, 2016) . Rose mentions that family photographs are a representation of the visual economy whereby they are used as a gift and a commodity for exchange as they circulate in the public sphere. The book also discusses how the colonial and imaginary gendered discourses in the society are represented in photographs that engender a particular group ( Rose, 2016) . Rose raises a question on the ethics of the visual media.
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To conclude, Rose, through the book, sought to answer questions on the role of family photographs. She also answers questions on the impact of family photographs moving from locals to the public space (media) and ethical considerations while looking at pictures of victims of violence in the society. Besides raising ethical questions on family photographs, Rose also addresses challenges of sharing family photography in the media. The book is perfect for the interdisciplinary audience because the book is poignant, questioning on the contemporary issue and innovative.
Reference
Rose, G. (2016). Doing family photography: The domestic, the public, and the politics of sentiment . Routledge.
