The social model of design entails a structure that pays attention to the responsibility and purpose of the designer in the community. The implementation of universal design is useful in the method of creating social change. It is a critical field that focuses on standing out of the regular market orientation to contemporary design techniques. Creative designs occur in various ranges and a variety of products and activities (Pedersen & Burton, 2009) . It tries to create a very inclusive design conception in which the clients who get avoided are given a voice. It aims at improving the livelihood and well being of all human beings. It is inspired by the ideology that designers possess the essential role and have the ability to create real change in the society using beautiful designs. In interior designing, structuring has been attributed as a profession reliant on contemporary market forces. Universal design will revolutionize the market with huge surpluses distribution. The universal design focuses on satisfying clients' wants and not just product sales (Margolin & Margolin, 2002, p. 25 ) . I advocate that interior designers need to adopt a social model of design to be elements of change in the world filled with lots of vices.
Design Inclusion
The interior design using universal design focuses on including the target market in the final product (Mistry, 2018) . The social plan entails conducting an in-depth study on gender and racial problems to improve social structures awareness that influences the lives of the customers. The universal design model requires the designer to connect with an intervention team providing several recommendations including the ability to identify issues that lead to the problems, in organizing, creating strategies of intervention to the society, in integration, and development of the need product. The “design-built” technique integrates landscaping, interiors, construction, engineering and architecture. The methods are useful in analyzing the solution to issues before construction helping to avoid pressure in the process (Haddad, 2014, p. 288 ) .
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Design for Change
Interior designers who aim to create a positive social impact use their designers to create a good. The social model of design implementing design for good establishes a sense of a powerful resource for the interior designers. Socially responsible designers are likely to stand out of the commercial market which is filled with useless and excessive designs. Changes are inevitable with the everchanging market of interior design hence the need to develop plans that will, in the long run, change the social perception of interior art. A social model presents finite products that reduce the responsibilities and tasks of people enabling them to create value for their wants (Morelli, 2007, p. 8 ) .
Agent of Cultural heritage and Social Justice
Interior designs can impact the day to day life of an individual. The use of creative talents and process act as a means of tackling issues. They need to consider the environment development strategies that enhance the life quality such as to live, work and play. Interior designers dealing with intimate levels of furnishings, furniture, texture and surface genuinely deal with the interaction between the place and the people (Smith, Lommerse, & Metcalfe, 2014, p. 57 ) . These individuals play a crucial role in hindering or promoting meaningful connections for groups and individuals in their homes. In projects that entail advocacy, they encourage involvement with the society, exploring new ideas, and activation of spaces (Smith, Lommerse, & Metcalfe, 2014, p. 64 ) . They are less reliant on the interior design core skills but draw form creative thinking, facilitation and organizational skills, and communication. An example is the butterfly works in the Netherlands which include consumer social project distribution and design (Smith, Lommerse, & Metcalfe, 2014, p. 64 ) . Social aspects such as idealism and romanticism contribute to art education hence the need to embrace the social model (Stankiewicz, 1987, p. 63 ).
References
Andreea. (2017, December 12). How Interior Design Affects Your Creativity And Behavior. Retrieved from https://www.impressiveinteriordesign.com/how-interior-design-affects-your-creativity-and-behavior/
Haddad, R. (2014). Research and Methodology for Interior Designers. Procedia - Social and Behavioral Sciences , 122 , 283-291. doi:10.1016/j.sbspro.2014.01.1343
Margolin, V., & Margolin, S. (2002). A “Social Model” of Design: Issues of Practice and Research. Design Issues , 18 (4), 24-30. doi:10.1162/074793602320827406
Mistry, N. (2018, October 31). What is a designer’s Social Responsibility? Retrieved from https://www.yankodesign.com/2018/10/31/what-is-a-designers-social-responsibility/
Morelli, N. (2007). Social Innovation and New Industrial Contexts: Can Designers “Industrialize” Socially Responsible Solutions? Design Issues , 23 (4), 3-21. doi:10.1162/desi.2007.23.4.3
Pedersen, E. L., & Burton, K. L. (2009). A Concept Analysis of Creativity: Uses of Creativity in Selected Design Journals. Journal of Interior Design , 35 (1), 15-32. doi:10.1111/j.1939-1668.2009.01025.x
Smith, D., Lommerse, M., & Metcalfe, P. (2014). Perspectives on Social Sustainability and Interior Architecture: Life from the Inside . Berlin, Germany: Springer Science & Business.
Stankiewicz, M. A. (1987). Beauty in Design and Pictures: Idealism and Aesthetic Education. Journal of Aesthetic Education , 21 (4), 63. doi:10.2307/3332831
