Introduction
Within the Haute Couture sector of fashion art, Jacques Doucet is considered as one of the most designers in fashion. He has collected several pieces of art and has also supported most of the architects and artists in the same category of activities. He has been seen to request these persons in the sphere of art to help in the shaping of the space in which he worked and lived. There is a link between arts and the fashion world, and this gesture can be traced back to the 20th C ( Myzelev, 2017) . The same issue is echoed by the numerous works in the couturiers who took an active role in the collection of art pieces central to life and time in Paris, France. Therefore, he is considered as one of the most famous art designers who helped shaped the lives and works of other architects and artists across the globe.
History
Doucet was born and raised in Paris in, the year 1853 where the family-owned lucrative linen and lingerie business. He was raised in a rich and refined environment and had the habit of collecting the 18th C sculptures, paintings, and furniture at a very tender age. He decided to open his own fashion house in the year 1871 with heavy influence based on the styles he used in the collection of the objects he used in the process in one way or the other. The manner in which he was engrossed in this era of opulent art figures made him travel to several designers to achieve the best divas of his time ( Berry, 2018) . He travelled to meet important persons in the field of art such as Sarah Bernhart, Rejane, and Cecile Sorel to help him create outfits that were enriched, refined, and recognizable with the volants, rouches, and frills used during the time.
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The style employed by this artist was too good to be compared with the modern looks in vogue in the 1900s. Based on this idea, his works disappeared during this period in the history of fashion and art. Amidst all these hurdles, he continues his collection work until the year 1927 when he requested the sculptors and artists to help in the decoration of his studio house located in the rues of Saint-James, Neully-sur-Seine ( Myzelev, 2017) . The studio was named hotel particular and was designed by Paul Ruaud who included the works of Marcoussis, Lipchitz, Csaky, and Laurens within the same studio.
Apart from the keen interest in the 18th Century arts, he was also involved in the collection of art pieces that depicted contemporary works of the Cubist and Post-Impressionist paintings. Among these collections, the most renowned piece of art collected by the artist was the Demoiselles d’Avignon that was purchased directly from the Picasso’s studio. The collection he made on books was mainly composed of manuscripts and publications from most of the contemporary writers in his history of time ( McBrinn, 2017) . In 1917, his first collection was then donated to the University of Paris.
Connection to Modern-day Clothing
The works collected and designed by Jacques can be linked to modern clothing and fashion based on the fact that he carried his designs by coming out with very elegant dresses. These dresses are similar to the current and modern dresses that are often adorned using translucent and flimsy material with superimposed colors. Based on the fact that most of his designs were elegant and admirable, they can then be linked tomodern women who are obsessed with beauty and fashion changes ( Berry, 2018) . The veils and dresses designed by the artist are closely linked to the current system in the clothing sector that touches on color and harmony during the wedding ceremonies in the modern world.
Most women want something very special to their dressing style, and this was the most important aspect of the designs brought out by Jacques in his 18th C designs. The designs are also linked to modern celebrities in need of simplicity and elegance to make things harmonize with the local people. This gesture is also a major feature shown by the designs made by the artist during his times ( McBrinn, 2017) . Therefore, it is significant to note that modern clothing and fashion designs are mainly pegged on the developments and designs made by Jacques way back in the ancient years.
Conclusion
In summary, the research has adequately discussed the history of Jacques and the link he has to the modern systems in the fashion sector. Inside the Haute Couture part of style craftsmanship, Jacques Doucet is considered as perhaps the most creators in design. He has gathered a few bits of workmanship and has additionally bolstered the greater part of the planners and craftsmen in a similar class of exercises. He has been believed to demand these people in the circle of workmanship to help in the molding of the space wherein he worked and lived. There is a connection among expressions and the design world, and this motion can be followed back to the twentieth C. a similar issue is reverberated by the various works in the couturiers who took a dynamic job in the accumulation of workmanship pieces vital to the life and time in Paris, France. In this way, he is considered as one of the most celebrated workmanship fashioners who helped formed the lives and works of different modelers and specialists over the globe.
References
Berry, J. (2018). House of Fashion: Haute Couture and the Modern Interior . Bloomsbury Publishing.
McBrinn, J. (2017). Modernism, Orientalism, craft: French couture and the early furniture of Eileen Gray. In Fashion, Interior Design and the Contours of Modern Identity (pp. 147-163). Routledge.
Myzelev, A. (2017). Modernism, Orientalism, craft: French couture and the early furniture of Eileen Gray. In Fashion, Interior Design and the Contours of Modern Identity (pp. 163-180). Routledge.
