Miller’s Crossing is filled with hard boiled and fast-paced dialogues found in between the intertwining plot twists. Dialogues are filled with intense informational density where in some scenes characters are even discussed before they are introduced to the audience. The film also uses unfamiliar slang such as referring to a woman as “twist” (Coen & Coen, 1990). The fast pace of events brings about cinematic chemistry.
The film fails to represent the gay characters thus failing to satisfy the needs for diverse characters. Mink and Dane are two gay men whose characterization has been referred to as unethical by most due to the nature by which the social set perceived such issues at the time (Coen & Coen, 1990). The gang world was filled with violence, racism, misogyny, and homophobia. Their deaths portray somewhat of an idea that the directors desire the eradication of the ‘unethical’ element of homosexuality.
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Both the film and reading indicate the developments in which organized crime gains control in the government. In the reading, Ianni openly discusses the needs of the family where government is concerned (Gladwell, 2014). He had favorable business investments with politicians that would help him get away with crimes and evade the police. In the film, Caspar becomes the city’s boss where he uses his control over the police to destroy Leo’s empire (Coen & Coen, 1990). This takeover happens after Caspar ousts Leo as the city’s kingpin.
Love has been described as a wildcard in Miller’s Crossing. It is evident that the true cause of the rivalry between the Irish and Italians went deeper than ethnicity. This issue should be analyzed with the perspective of love being a major contributor in the actions of Leo. Verna is a major contributor to the actions of Leo. He attacks Tom, Caspar’s ally, after the latter confesses of his affair with her (Coen & Coen, 1990). He chooses to use her as a weapon of retaliation after Leo fails to pay his gambling bets. Leo is unable to accept the fact that his girlfriend is disloyal showing his inability to adapt with their environment.
Miller’s Crossing effectively introduces characters to the underworld lifestyle. They get to see the other side of the crimes that were being committed by the characters. Characters involved in the mafias were able to accumulate wealth and achieve their ultimate goals in the film. As seen in the crooked ladder most characters in mafia movies, often give back to the community through their businesses and stores (Gladwell, 2014). As much as it affects the community, it also contributes to its wellbeing.
References
Coen, E., & Coen, J. (Directors). (1990). Miller’s Crossing [Film]. 20 th Century Fox.
Gladwell, M. (2014). The Crooked Ladder. New Yorker.
