Son jarocho is folk style music of the Mexico son from the Veracruz. This music is mostly sung in the fandangos. Fandango is a popular fiesta which is a community-rooted celebration and involves music, poetry and dance. In Mexico, fandango is particularly associated with festive experience and expression of the Mexican son (Raquel, 2015). Local communities are reviving fandango practices from memory and planting the tarima in the earth thus powerfully embodying communal memory and bringing the past into the lived present.
The post-revolutionary Mexican state from the 1920s onwards supported intellectuals and artists in their mission to describe the expressions of Mexico’s popular culture. These expressions included music, poetry and dance. Fandango led to the growth of a powerful transnational and transcultural group known as “ movimiento jaranero” that gained popularity not only in its birth place but also in every major city in Mexico (Rafael, 2016).
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These fandangos from the coastal regions of Mexico where there was a great cosmopolitan mix of Caribbean, European, Asian and African cultures, and where the concentration of black slaves was highest, creolized Hispano-African and Amerindian dance ideas such as rhythmic footwork. Presently, fandangos are held as events characterized by all aspects of Mexican culture from songs, dances, foods, poetry, attires and language interactions.
Son jarocho is an important aspect of the fandango due to its attachment to the Mexican culture. Towards the end of 19 th century, it had gained popularity in the rural areas and flourished as a regional style that preserved originality. At the beginning of the 20 th century it had reached its peak and served as both musical and political expression influencing large masses. Many artists adopted the genre and expressed their expressions through it in a specific regional stylistic nuance.
References
Rafael Figueroa, (2016). Yo No Soy Marinero, Soy Capitan: Contemporary Sociopolitical Uses of Fandango and Son Jarocho, in the Global Reach of the Fandango in Music, Song and Dance.
Raquel Paraiso, (2015). Re-Contextualizing Traditions and the Construction of Social Identities through Music and Dance: A Fandango in Michoacán. Vol. 12
