Question 1
At first Chris feels the family is inviting and start feeling comfortable around the family members. Chris however notices strange behaviour with the black employees. The first encounter was with the groundkeeper that talked to him in unwelcoming tone and affirmed that Chris had been hypnotized. Chris also noticed that the housekeeper acted weird when he told her that he feared being around the white people. The housekeeper had a mixed reaction of cry and laughter as she explained that the masters treated them like family. During the party, he realized that his phone was unplugged from the charger a thing that raised eyebrows. He also realized a black guest introduced as Logan who acted weird when he approached him. His dressing code did not fit his young age and also he responded in a mechanical manner. Chris was also puzzled by the age difference between Logan and his wife. When he used his phone to take a photo, the flashlight made the neighbour nosebleed and violently attacked Chris. When Chris sent his friend he photo of the neighbour to his friend, he realized it was someone they knew who acted differently. Chris also got scared when he saw photos of the black people rose dated and realized that his life could be in danger.
Question 2
Even though the movie has a sense of humour created by Chris’ friend Rod, comedy should not be added to the movie. Adding comedy would neutralize the horrific theme of the movie (Barsam, 2010).
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Question 3
The first few minutes show an African American abducted while walking on the streets at night. We also see Chris preparing for the weekend and express his nervousness to meet his girlfriend’s parents. These are concerns that a normal person would have meeting the girlfriend’s parents for the first time.
Question 4
The most common relationship in the movie industry is the romantic relationship. The most common relationship in Get Out is the interracial relationship depicted in various scenes in the movie.
References
Barsam, R. M., & Monahan, D. (2010). Looking at movies: An introduction to film . New York: W.W. Norton & Co.
Lewis, J. (1998). The New American Cinema. London: Duke University Press.
