People made the Aegean Art within the Aegean culture, most of whom lived within the Aegean Island, located in the Mediterranean Sea. The people embracing Aegean Art benefitted hugely from the sea, providing them with adequate food and other livelihood forms. Consequently, the people started developing art that resembled sea life: including seafood. The Cycladic culture, one of the most dominant parts of the Aegean Arts, existed between 2600 and 1100 BC. The Cycladic people lived in Cyclades islands and were divided into Naxos and Santorini. The Minoan culture also contributed to the development of Aegean Art. Existing between 3000 and 1400 BC, the Minoan people traded in the Mediterranean (Davies, Hofricher, Jacobs, Simon, & Roberts, 2016). This group invented complex palaces, staircases, indoor plumbing, and bathing rooms. The Palace of Knossos, for instance, depicts all these features of ancient Aegean Art. Essentially, Aegean Art can be described as having gained its inspiration from the people’s love of nature. Both the Cycladic and Minoan people decorated their houses with bird and animal paintings to sign their widespread love for nature.
Greek architecture is used in describing the architecture by all the Greek-speaking people. Archaic architecture is the oldest form of Greek Architecture, and it displays a huge influence of megalithic structures, religious trends, and gods within the era. The architecture is usually made of marble and limestone materials and is considered to be climate-sustainable. The second form of Greek architecture is classical architecture, which existed in the 5th BC (Davies et al. 2016). This type of architecture was characterized by classical design motifs, proportionality and symmetry, and building materials' durability. The Hellenistic architecture refers to the architecture designed during the split and division of Alexander’s empire. The architecture was characterized by realistic anatomy, ornate details, and expressive movement. The architecture comprises paintings, sculptures, and metalwork due to the increased use of metals as war weapons during Alexander’s reign. The sculptures in Hellenistic architecture are more naturalistic and display extreme emotions.
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References
Davies, J.E. Hofricher, F.F. Jacobs, J. Simon, D.L. & Roberts, A.S. (2016). Jason’s History of Art. Pearson.
