The Danish girl is a movie that is unlike many as it is inspired by real events of one Einar Wegener who had a wife, Gerda. The film` paints a tender image of a marriage where one spouse is not satisfied with who they are and results to needed a change. From a simple house dialogue between two married partners, the innocent question starts as a favor that the husband requests from his wife while at their studio. Much different from many love stories, the movie shows how the couples bond and relationship is in an age where marriage was considered the epitome of proper socialization.
Matters transgender in a time where sex transplant was uncommon. Einar Wegener as depicted in the story was one of the first people to undergoes the sexual reassignment operation dated a century ago changing himself to Lili Elbe. As a modern-day issue, the movie deters many viewers from battling the ideas and responses taken by the tow couples in responding to the question of who he wanted to be. The film unfolds its content in a two-hour sit that was emotionally involving as Lili finds herself in her new self, a self that had been hidden from society but now alive. The paper shall then expound on the movie issues, story, and intersectionality through the life of the characters and how the new views have changed his life.
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Love can drive two people to great length a feat too true as both characters in the move find themselves complete. It is not until one afternoon where the husband Einar Wegener asked the wife about his true self and who he wanted to be. Supporting his husband is what she was set on doing; this included getting the surgery. According to Lilli's views, the feeling was not unique but just two people trapped in one body. On the one hand, we have Wegener who was the physical self and is dependable, authoritative, cerebral, a hardworking man who loved to paint. Whereas the other had Lili Elbe who as depicted in her notes where she appeared to be flirty, thoughtless, superficial in mind, easily cried and barely spoke a word in front of men, worst of all she did not find pleasure in painting. Of the two, Lili is the silent but dormant one leading Wegener surgery. We see her aggressively taking control of the body.
The issue here can be viewed through sociology in the lens of intersectionality theory where Wegener case of multiple threats coming from his personality and discrimination where each gender and character has to have a life of its own identity. This leads to an overlap o one identity by another due to the latter being a minority or inferior in strength and zeal; in many cases, this is often the shy identities in characters and nature (Lemire, 2018). Lili being stronger in will than Wegener pushed for the sexual cages as depicted in the movie.
Driven by love the two couple remain loyal to each other but are forced to separate due to the legalities at the time. The views had changed as each person wanted the best life for the other, where Wegener was supportive and happy for Greta. Transgendered operations and reforms were some of the views that the characters close to Lili had to conform or get accustomed. This was no issue but as the sexual research facility sought to help in coming up with solutions. The movie was written from a script that was over a century old; the society has also changed their views over the issues transgender making the movie acceptable as it was a topic not many people would have found the will to watch.
References
Lemire, C. (2018). The Danish Girl Movie Review & Film Summary (2015) | Roger
Ebert. Rogerebert.com. Retrieved 12 March 2018, from https://www.rogerebert.com/reviews/the-danish-girl-2015
Zarchi, N., & Katz, L. (2004). Girl Inside Girl inside Girl. World Literature Today, 78(3/4),
36. http://dx.doi.org/10.2307/40158496
