The subject matter in the painting by Edgar Degas, In a Café, is about contemporary life in the street of Paris. The content involves a man and woman sitting side by side in silent isolation with their eyes empty and sad, showing the disconnectedness in the urban society. The painting uses special distribution by having a large empty space on the right side of the lady to show the empty room and the mood of the characters. The painting primarily makes use of dull colors to show a sad mood. There are straight lines that show the structure of the tables, indicating that the place is a café. The psychology of the painting shows the alienation, disconnection, and shallowness that people in the urban world face.
The subject matter in the painting by William H. Johnson, Café, is about race. The content involves two couples sitting with their legs crossed with the female embracing the man with her right arm, and the two appear to be enjoying themselves. There is limited use of space as the two characters appear to be close to each other, showing the intensity in the mood. The painting makes use of bright colors like purple, oranges, browns to show a good mood. There is limited use of straight lines, as shown in the table. The psychology of the artwork is about race where the black in relationships. The woman has differently-colored limbs showing that race may not matter in a relationship.
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The two paintings are similar because of the setting in a café and the use of two characters. However, they are different by depicting different subject matters where Degas’ painting shows urban disconnection while Johnson’s painting explores race in relationships.
Pablo Picasso Les Demosiselles d'Avignon and Robert Colescott Les Demoiselles d'Alabama: Vestidas
The subject matter in the painting Les Demoiselles d'Avignon by Pablo Picasso is disconnection, and the content is about five naked women. The painting is a closeup, and there is limited use of space. Bright colors depict the females as white, and the use of lines creates geometry and cubism in the image. The psychology of the image involves showing anxiety by indicating a disconnected group that has masks on their faces.
The subject matter in the painting Les Demoiselles d'Alabama: Vestidas by Robert Colescott is about race and gender. The content involves five female characters appearing to pose for the picture. While the painting is a closeup, the background appears far, creating space and depth. There is limited use of straight lines, and the colors are used to differentiate the black race and the white race. The psychology of the artwork involves critiquing Western art through the perspective of a black man.
The similarities between the two paintings are in the content, where it depicts five women that appear to pose for the image. The paintings are different as Colescott’s painting explores racial diversity while Picasso’s painting only depicts white women.
