The Wolf of Wall Street denotes the year 2013 U.S. nonfiction black comedy delinquency movie composed by Terence Winter and directed by Martin Scorsese, grounded in the account of the similar title by Jordan Belfort. The movie narrates the perspective of Belfort on his job as a broker in New York City in addition to how Stratton Oakmont, his company, involved in extensive fraud and corruption on Wall Street, which eventually brought about his collapse. Leonardo DiCaprio, who is correspondingly the producer on Scorsese’s movie, acts as Belfort, with Donnie Azoff (acted by Jonah Hill) as his friend and business ally, Naomi Lapaglia (acted by Margot Robbie) as his spouse, and Patrick Denham (acted by Kyle Chandler) as the FBI agent who strives to defeat Belfort. The Wolf of Wall Street is a sheer masterclass. The movie is grounded in the later phase of the 1980s and presents Jordan Belfort who basically transforms from Rags to Riches (Patsiaouras & Fitchett, 2011). After assuming the chance of joining a brokerage company within Wall Street, Belfort witnesses his visions shatter, just as the marketplace clashed on the initial day of his work in the year 1987. Belfort, after hurdling several hurdles, proceeds to set up his own company from zero, Stratton Oakmont. After Belfort recruits his group of “Brokers”, the initial team of twenty proceed to create lots of cash persuading the venture capitalists to capitalize in penny stocks. Following illegal activities, drugs, gatherings and numerous hookers afterwards, the firm was being pursued by the FBI and SEC for their illicit activities. The Wolf of Wall Street demonstrates the tact of Jordan Belfort, but then again luck ultimately comes to an end for everybody.
Narrative structure
Narration plays an incredible role in The Wolf of Wall Street movie. Scorsese presents the movie in a point of view of a first-person via Jordan Belfort. Through the movie, it revolves around Belfort’s actions, and the audiences hear his perspective of his life via his expressions through narrations. Scorsese’s movie has a traditional movie narrative. The tale progresses in a linear style, and for each step which Belfort takes, there exists the consequence irrespective of whether it is negative or positive.
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The Wolf of Wall Street concerns character transformation and the way they manage it. Jordan Belfort starts as a youthful guy who is wishful to live the Wall Street vision and create a steady living for him as well as his companion. He similarly breaks the 4th wall as he speaks directly to the spectators now and then to actually reel the spectators into his wonderful life he dwells. As Belfort’s accomplishments carry on, and his pockets get full, he completely loses the formerly innocent young man he was. He, together with his pals become sex and drug addicts who behave very recklessly now and then. He even starts being unfaithful and cheat on his initial companion. Due to the physical transformations in the life of Belfort, it alters who he really is as an individual (Scorsese et al., 2014). Through the movie, it is hard for a person to tell whether Belfort or other central casts are making Regressive or Progressive developments. Even though they are handling their jobs, and creating additional cash for themselves, the roles are losing their sense of morals. The characters aren’t being the spouses they ought to be and the dad-figures they ought to be simultaneous. It depends on which point of view the spectators perceive them in.
Moreover, Scorsese’s movie follows a three-act narrative structure. The key roles of the “brokers” are presented and later continue to begin Stratton Oakmont. Scorsese changes the setting from location to location but typically rotates around the corporation HQs or certain prestigious location wealthy individuals typically visit. Then, a conflict is presented after Forbes performs a report on the business. Now, the SEC and the FBI have the corporation on their detector. The Wolf of Wall Street ’s conflation is the minute the FBI is invited over by Belfort to his yacht and faces them (no witticism planned). The gathering does not go very well, and after fits of anger burst, the FBI is against Belfort more than before. As time passes, luck of Belfort basically come to an end, and the solution is a prison term for his illicit deeds.
Lighting
In Scorsese’s movie The Wolf of Wall Street , the mood is fun, festivity and persons generating money. High-key lighting is the key type of lighting employed in the movie. This lighting style is archetypal of comedies, cheerful scenes, office and institutional scenes, etcetera. The effect of such light allows the spectators to experience and see every facet of the film. In Scorsese’s movie, the audience may perceive all from the wild sex bashes, the massive intake of drugs, and the anarchy which happened inside the stock exchange spaces. The key advantage of the lighting is to demonstrate the huge fortune Jordan had accrued. It displays his superlative yacht, profligate mansion and numerous sports vehicles. Scorsese wants the spectators to get an explicit sight of how considerably dishonesty and dubious business practice could improve a person’s lifestyle but not their character. The Wolf of Wall Street ’s theme is that of delinquency with numerous comedic scenes. Because of the comedy level, high-key lighting is extremely valuable and more fitting. Besides a few nightly scenes in which Jordan is very drunk or high, the bigger part of the film is recorded in bright rooms in addition to sunny days with a huge volume of glowing lights inside the office.
Martin Scorsese’s The Wolf of Wall Street is a film in which the acting is really remarkable. The backgrounds, body language, and facial expressions are applied so appropriately that the spectators might take a picture of scenes and obtain a feeling and sense of the atmosphere, and the things that are happening in that exact scene (Scorsese et al., 2014). A scene which is certainly in the running for greatest unforgettable scenes throughout the movie is where Belfort is inside his office pronouncing to his staffs that he could be resigning from his post in the corporation. As he is continuing with his stepping down discourse, an object hits him. Prior to starting the speech in the presence of his staffs, Belfort feels like he is winning the requested contract and walking out on his conditions. As Belfort goes on deeper and deeper, he notes that the SEC and FBI are receiving what they desire and he could not continue to any further extent to perform what he has been very enthusiastic about. Rather than execute what his initial purposes were, Belfort alters his thoughts in the middle of the speech and declares he is not resigning. Belfort recognizes that by resigning, he could be defying the very policy he represented which assisted him to become the victory that he is.
When an audience explores the shot of this specific scene, they may notice that the application of Mis en scene is employed very well. The movie’ director applies lighting in this particular shot very well. Unmistakably the body language and emotions are positive and upbeat. Using bright lighting assists in promoting that feeling. Furthermore, the white color shirts and the suites bring a business mood that is happening. The spectators get the feeling of a victory happening. Also, this connects to the outfits which the persons are putting on. The workers are in a simple white collar top or a simpler suit, whereas Belfort is in a sophisticated and attractive outfit, showing the gathering who the “chief” actually is (Patsiaouras & Fitchett, 2011). The setting with outfits and the desks interlocked truly assists to sell the favorable atmospheres around Stratton Oakmont Corporation that Belfort is not resigning.
An additional shooting of mis en scene which Scorsese applied suitably was the bash inside the swimming pool scene just before encountering Naomi, his fiancé. The scene has it all: ample vibrant and warm colors; happy and intense feelings, and individuals inside the pool. There are good-looking females with superb figures surrounding the area (Scorsese et al., 2014). The females wearing lovely swimming costumes and the vigor which is being displayed on the face of Belfort makes the spectators fall into a fair dream and facilitates in pulling them into the sense of what it feels to be wealthy and to throw such bashes. Scorsese uses the swimming pool as the prop. Often, having a swimming pool reminds a person of good times inside the water. What is more, in this particular scene, the microphone is similarly a concrete tool. Scorsese demonstrates that he has the ground and spectator persons wish to have his power and his influence.
Camerawork
The Wolf of Wall Street applies the projection of solids on a smooth surface, depth reduction, and nonexistence in the space-time continuum. Concerning the projection of solids on a smooth surface, it is claimed that the surprise effect is realized by exploiting the point that the audience would be viewing the situation from some specific position (McCafferty, 2015). Once spectators anticipate viewing a thing from a definite perspective, a filmmaker could make art by introducing it from an eccentric point of view, therefore startling the spectator and generating something unique and fresh. In The Wolf of Wall Street , Scorsese employs this method frequently, precisely when capturing the horde of sex activities Belfort involves in through the movie with several unidentified prostitutes, Venice, who is a heartless dominatrix named, and Naomi, his attractive spouse.
Spectators usually anticipate filmmakers within the mainstream film business to recoil from close up, explicit portrayals of sex in their movies since it instantaneously guarantees an adult rating – spontaneously restraining spectator demographics because of the age limit linked to an adult rating (Scorsese et al., 2014). Nevertheless, Scorsese didn’t waver to risk capturing these specific scenes, repeatedly choosing for shots varying between medium and close-up. Hardly 120 seconds into the movie, Belfort is revealed in close-up getting oral sex from Naomi when driving intermittently in his Ferrari. The method of putting the camera in unanticipated positions (that is, straight inside the car rather than simply implying what was happening from outside the Ferrari) shocks the spectators and functions as an instance of the cinematographic method utilized to make art.
What is more, depth reduction is a stimulating phenomenon within The Wolf of Wall Street , since every item in the movie seems to be solid and simultaneously flat. The aptitude for items on the screen to emerge practically and at the same time two-dimensional and three-dimensional is exceptional in the film (McCafferty, 2015. The cinematography repeatedly exploits this phenomenon in The Wolf of Wall Street . Reliably engaging graphics enable audiences to submerge themselves in the dynamic world of Belfort. In a scene in which Belfort breaks the 4th wall and straight speaks to the spectators, he is displayed walking down an attractive, coiled stairway informally deliberating his everyday intake of some narcotics. How the camera moves to face Belfort as he goes down the stairs makes the passage feel virtually three-dimensional, as if he is leaving the screen and into realism. Actually, the scene is simply two-dimensional, but the crafty camera movement enables the watcher to feel as if he/she is within the scene. Even though the camera’s plane dolly movement invites in the watcher, it similarly generates a pull out of reality- no motionless human would follow Belfort’s descending and departure from the room in a similar manner.
The nonappearance of the space-time continuum is the most evident feature within The Wolf of Wall Street . What makes the movie an evident departure from realism is the time manipulation via editing as well as numerous slow-motion effects. The mixture of found recording and b-roll put in Scorsese’s movie together with Belfort’s narration offers an inimitable, visually fascinating method of demonstrating his opinions on screen. Making the movie introduce with an advertisement of Belfort’s brokerage company, shadowed by the scene in which time literally pauses as if stopped using a remote control, then a rapid shift into 2 elongated freeze frame images of Belfort, inaugurates in advance that Scorsese’s movie is going exploit the liberty the medium offers to play with time (McCafferty, 2015).
Sound
Scorsese’s sound all the way through The Wolf of Wall Street provides and helps the tone that suits the movie. Even though the director utilizes older melodies in the soundtrack, the feel to them is applied suitably. The spectators hear the sounds which provide them with that cheerful jive. There exist diegetic sounds through The Wolf of Wall Street . Instances include taking Naomi out for dinner and having romantic sounds within the background, screams, loud chants, and loud melody in energetic periods. Even though diegetic sounds are a desirable bit to the movie, the non-diegetic sounds are the one that places the cherry on the cake and assists the movie to prosper. An appropriate instance is when Rugrat, Ben and Donnie are playing alcohol niff inside the cruiser (Scorsese et al., 2014). Eventually, the drugs knockout the gangs. The scene decelerates and the unhurried music assists in emulating how sluggish their motor abilities are. The spectators sense the influence of the drugs of the roles even though they are completely sober themselves. When casts were in a cheery mood, for instance when the stock price of Steve Madden generated three billion for the Stratton Oakmont within a day, the melody was electric. If the time wasn’t favorable, the melody was either playing slowly or cut entirely so the spectators would feel the sorrowfulness.
Conclusion
The Wolf of Wall Street denotes the year 2013 U.S. nonfiction black comedy delinquency movie composed by Terence Winter and directed by Martin Scorsese, grounded in the account of the similar title by Jordan Belfort. Scorsese presents the movie in a point of view of a first-person via Jordan Belfort. Moreover, Scorsese’s movie follows a three-act narrative structure. The Wolf of Wall Street applies the projection of solids on a smooth surface, depth reduction, and nonexistence in the space-time continuum. Scorsese’s sound through The Wolf of Wall Street provides and helps the tone that suits the movie. Even though the director utilizes older melodies in the soundtrack, the feel to them is applied suitably. Overall, Scorsese performs a wonderful task in The Wolf of Wall Street . Scorsese uses bright images of the themes enclosed within the film. In the movie, Scorsese has expertly picked and employed colors to bring to the surface the season mood and timing as he intended.
References
McCafferty, J. S. (2015). Formalism Exemplified in The Wolf of Wall Street. Cinesthesia , 4 (2), 4.
Patsiaouras, G., & Fitchett, J. (2011). The Wolf of Wall Street: Re-imagining Veblen for the 21st Century. ACR European Advances .
Scorsese, M., Winter, T., DiCaprio, L., Aziz, R., McFarland, J., Koskoff, E. T., ... & Dimbort, D. (2014). The wolf of wall street . Metropolitan Filmexport [éd.].
