A mazurka is a type of Polish folk dances featured by the stamping of feet following triple meter and with a basic rhythm that has profound accents randomly put on the second or third beat. These rhythms are made more prominent with a shifted accent, which captures the type of physical thrust of energy necessary to engage one's vocal cords in such a manner. The Chopinesque technique emphasizes on beats two or three accompanied by dynamics, long notes (measures 4-6), trills (measures, 2, 8, 11), and melodic high points (measures 3 and 7).
Chopin's music is highly stylized and is intended as extramusical markers recognizable by their deflection from the typical musical lingo. Further, the features in the Chopin mazurka borrow Slavonic patterns which give them peculiar flavor (Ashton, 2013). The melodic sequences serve as gestural movements characterized by shifting emotional character, centrifugal and gravitating forces and circular movements evident in their dance performance. Chopin's wavy melodic contours and his use of articulated intervals make the Chopin Mazurka extra musical.
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The difference between the Chopinesque style and that of the Classical era can be distinguished by intensity. For instance, composers in the Classical era made danceable energetic rhythms with lyrics that were melodic, beautiful coated in dark undertones. Chopin's are a composer in the romantic era used light and elegant techniques without dark undertones that portray no limitations in free choice, imagination evident in his use of the rubato (Burkholder et.al, 2010). The classics used the rubato to change note durations in melody without allowing the beat to move around while including an accompaniment that closely follows the beat. Chopin's use of rubato allows changes in tempo without any compensation.
References
Burkholder, J. P., and Palisca, C. V. (2010). Norton anthology of western music: Ancient to baroque . Vol. 1. WW Norton & Company Incorporated.
Jonson, A. (2013). A handbook to Chopin's works . BoD–Books on Demand.
