Contemporary Art: a Comparative Analysis of Body
Art in the contemporary setting has experienced numerous illustrations and conformations. Unlike the medieval sceneries featured with paintings and sculptures, this generation has seen the rise of practices that are quite fascinating both in conceptualization and creativity. In this sense, perhaps a novel art called body works to come to mind. Such forms have an aspect of deep body visualization, meaning that it embraces the representational expression of anatomical features of the characters 1 . Of course, many would argue that such images originally got limited to medical instructions and studies. However, in the light of massive expansion in the world of creativity, it is right to call modern bodywork art. Therefore the following paper takes deep dive into such concepts. The essay makes a crucial comparison with other established art forms and looks at whether, indeed, bodywork can be considered as a form of contemporary art.
The comprehension of bodywork is crucial to avoid any misperceptions that might emanate from taking anatomical prospects and using them as an art form. Of course, it raises a lot of questions on the ethics of engaging in such creations, and many clarifications are to be made. Equally, this is an issue because, even in the past, most of the anatomists worked in secrecy due to legal concerns related to dissecting the human body 2 . But in the 20th century, the art started being explored mostly by medical students who benefited more. The 21st century has seen many exhibitions embrace this form of art, especially Western Europe and North America. However, still, some question needs to look at carefully:
Delegate your assignment to our experts and they will do the rest.
Why do we still, as a human flock, the exhibitions that portray dead human or animate bodies? Does it resonate with our eventual pilgrimage? Or does it affect the conceptualization of the afterlife to the audience?
As a form of art, what entails its history through centuries? How did it convert from an instructional criterion used in medical schools to now a form of art allowed for the public?
Does body works contradict with medical ethics, and if so, how do the two find common grounds?
How do its handlers deal with the question of transition from a person to a specimen? And is the issue of fading a concern?
Finally, what are the regulatory frameworks to ensure the art form respects human dignity in its representation and illustration?
The bodywork is impressive because it goes a mile as a 3D representation of art. It is scary a bit, but contemporary art needs some form of stimulation to keep its audience entertained and, at the same time, be critical about their lives. Bodywork is also educational, especially in the case of people with lifestyle issues; it gives one a new perspective of life. The article Introduction to Bodyworks is an elaboration of four contributors who have explained extensively on the bodyworks and its importance as a modern form of creativity 3 . The classical museum has depictions of bodies, sculptures, or actual bodies processed in works of art. Other sources include a book called Bodyscape: Art, Modernity, and the Ideal Figure. It gives an illustration of how body images have been used for centuries as a form of art 4 . Lastly, other sources include theconversation.com, medium.com, and other sites, which all provide more insight into bodywork in contemporary settings.
Bibliography
Hjemdahl, Anne-Sofie, and Silje Opdahl Mathisen. "Introduction to Bodyworks." Nordisk Museologi 1 (2017): 3-4.
Mirzoeff, Nicholas. Bodyscape: Art, modernity and the ideal figure . Routledge, 2018.
Redman, S. (2016). Reconsidering Body Worlds: why do we still flock to exhibits of dead human beings? . [online] The Conversation. Available at: http://theconversation.com/reconsidering-body-worlds-why-do-we-still-flock-to-exhibits-of-dead-human-beings-57024 [Accessed 19 Feb. 2020].
Robertson, Jean. Themes of contemporary art . New York: Oxford University Press, 2017.
