The two paintings symbolize how economic opportunities have ever since existed since older days and the new economic opportunities that have accrued from the modern-day world. Wooldridge's piece is considered more or less a genre scene, while West's is deemed an actual depiction of historical paintings. Besides, both pieces are believed to play the same role, advertising economic opportunities that emerged with the new world. The images are a complete definition of the earlier life and how people coexisted together harmoniously.
Having been primarily referenced from John White's watercolors, Wooldridge's piece of Indians, done in 1965, dates back some few generations. Whites aimed to document the actual happenings of the time. In line with the genre's intentions, however, some aspects of the genre had to be transformed or altered for European sensibilities and other intended purposes. As seen in the paintings, the individuals seen crouching in the lower left were rehabilitated from the original intent to ensure that European conventions were met and appear more comfortable when women are gazing outwards. Besides, the original painting's extra food is a depiction of how productive the land was.
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On the other hand, the male Indian figure appears to be elucidating a specific pose that shows an affirmation to the European Contrapposto conventions. It is one of the exertions that were used to imply how the new world is way much better and indicate many things. Lastly, the piece set elaborates on the expected expansion of westward ideas featuring endless rivers, vistas, and mountains. Natural elements that appear in the paintings are used to show how real-life the picture was and explain that the new world was a better place to dwell in. Lastly, they show the normal life that people of the time led and the expected changes that accompany the new world.
