David Garshen Bomberg is renowned as an artist whose some of the paintings are still spoken in the art world. Born in 1890 in Birmingham England, Bomberg joined the Slade School of Art, where he attained essential skills in painting under the mentorship of Henry Tonks. Bomberg’s work has influenced complex geometric compositions, especially in the issue of futurism and cubism. In 1945, he started his eight-year teaching career at Borough Polytechnic (Lipke, 1967) . Bomberg also trained as a lithographer when he completed his studies at Westminster School of Art. Bomberg’s integrated experience and understanding of art were initially proven when he produced a famous painting, the “Vision of Ezekiel.” The piece proved his dynamic nature in applying his Jewish and English ideas and combined these to form a robust alternative of his own.
David Bomberg can be characterized as a competent artist of his time. He had a unique way of interpreting and making art that makes him a dynamic and audacious artist in painting. His most remarkable work occurred when he was at the Slade School of Art. One of the notable pieces is the Mud Bath (Sylvester, 1997) . The paint was created in 1914 and oil painted on a canvas. The painting is a perfect illustration of Vorticism. The striking picture depicts the ideal projection of human figures, and both the blue geometric angles and planes. His competency can be seen on the unique creation that is way different from other art pieces at the time.
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Lastly, Bomberg can be said to be a visionary and persistent individual. During his early years, Bomberg received criticism as many saw his work as too radical. Many artists ended up referring to him as a "Jewish Futurist" and "English Cubist." All the criticism was raised by the artist’s failure to join any movement despite exhibiting Vorticists concepts at the time. His persistent and visionary nature explains why Bomberg managed to overcome all the setbacks and introduced a new way to interpret and understand art. For example, his "In the Hold” painting proved his visionary nature through capturing of the modern world. This paint which was created in 1913-14, the art provides a proper projection of the modern urban environment. Bomberg uses a scene involving individuals working around a ship. In this particular object, he has applied a geometrical framework into influencing dynamic angular facets.
References
Lipke, W. C. (1967). David Bomberg: A Critical Study of His Life and Work .
Sylvester, D. (1997). About Modern Art: Critical Essays, 1948-1997 .
