Harlem Renaissance was a movement that appreciated the innovative efforts of black artists, singer’s composers, and writers. It encompassed social, cultural and artistic works that took place in Harlem, New York in the early 1920’s. This period gave rise to Afro-American artworks. Most of the artwork during Harlem Renaissance was characterized by racism, social politics, and stereotypes of black people. Most people viewed this art as a direct uplift of the black race which has been neglected for a long time. The art addressed a wide array of cultural components and styles such as “low culture”, “high culture” which was a pan African perspective among others. In addition, most of the common themes represented by the artwork were greatly influenced by the experience of slavery, emerging traditions on black people, and the impacts of institutional bigotry. In Langston Hughes portrait it highlighted the pathetic experience of African-American people and also reflected the radical agenda for change. The change was to be achieved through education and enlightenment of young black people since they were the agents of change.in addition, it also reflected the consummate pride in his Africa-America heritage. The pose and the background of his portrait clearly radiated his introspective imagination of transition agendas of black people. In the portrait “midsummer night in Harlem” by Palmer Hayden reflects the calmness of the black people which is depicted in their smiles. The portrait has a well-defined unity of composition that aid the viewer to relate the symbolism of both church and the moon to the people who are neatly dressed and assembling on the apartment steps in front.
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