The Renaissance period occurred between the fourteenth to seventeenth century became a transformational era in Europe and other parts of the world. The Renaissance transformed all the facets of Europe with the revival of innovative styles of art. Leonardo da Vinci is one of the famous Renaissance and his work reflected popular humanist ideologies that shaped the renaissance era (West, 2017). Leonardo’s work was more than just fine arts, he made contributions in understanding nature, human anatomy, architecture and machines (West, 2017). He designed machines such as bicycles, helicopters and submarines that became useful afterwards. Leonardo experimented with different artistic styles, some of his famous paintings included The Last Supper (West, 2017). The Last Supper was an artistic expression that depicted the Passover dinner when Jesus addressed his apostles. The Last Supper was a remarkable painting that was meant to be placed at the mess hall at the monastery in Santa Maria. One of the notable features of the painting is the touchy expressions and body language that depicts the somber mood during the Passover dinner. The panting has influenced many painters because of its unique classical artistic expression. Today, the painting still remains one of the most admired artistic expressions ever produced.
Leonardo used his paintings to address various subjects, among his famous drawings Vitruvius Man portrays his interest in art and science that reveals humanism in his work (Oranges et al., 2016). The “ Vitruvian Man” is an image of a superimposed man with detailed visual representation and notes based on ancient classical writings inscribed below the artwork (Oranges et al., 2016). Leonardo used the human body as a source of proportion that formed part of his distinct art work. Unlike other Renaissance artists, Leonardo complemented science with art to highlight several themes whereby he unites diverse subjects as he believed that sight was the most important sense of humankind.
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References
Oranges, C. M., Largo, R. D., & Schaefer, D. J. (2016). Leonardo da Vinci’s Vitruvian Man: The Ideal Human Proportions and Man as a Measure of All Things. Plastic and reconstructive surgery , 137 (4), 764e-765e.
West, J. B. (2017). Leonardo da Vinci: engineer, bioengineer, anatomist, and artist. American Journal of Physiology-Lung Cellular and Molecular Physiology , 312 (3), L392-L397.
