Reception theory is an idea about arts that recognizes the audience as a significant part of the creative process. The word ‘reception’ simply means a concern with a response to a work of art and shifts its emphasis from the artist to the interpretation of the beholder. According to the theory, the true purpose of the reader cannot be understood without considering the interpretation of the beholder. The theory indicates that overarching meaning is a process of reaction and reaction between the reader and the art and be changed depending on the interpreter.
Based on the reception theory, Velázquez' Las Meninas is a painting that is open to interpretation in the history of art. One of the most accepted Las Meninas’ interpretations is that the painting depicts the personal manifestation of Velázquez’ of the painting's inherent nobility. It was painted during years when Velázquez’ attempted to gain admission into the Santiago elitist order. He spent most of his career fighting to elevate arts status in Spain. There are numerous clues in his painting that support this interpretation. Firstly, the painting shows Velázquez’s relationship with the royal family. He is seen in the deceased crown prince quarters accompanied by the queen, king, and the remaining heir. A new interpretation has shown that the painting could have been commissioned in light of some circumstances. The above-mentioned evidence indicates that Velázquez' Las Meninas painting is open to interpretation.
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Bibliography
D’Alleva, Anne, Methods & Theories of Art History, (2005), pp. 88-122. Retrieved from http://www.khist.uzh.ch/chairs/bildende/lehre/DAlleva_Theory.pdf on 12th may 2021
Steinberg, Leo. "Velázquez' Las Meninas." October 19 (1981): 45-54. Retrieved from https://www.jstor.org/stable/778659?seq=1 on 12 th May 2021
