Michelangelo was among the most revered ancient painters whose artwork was quite instrumental during the High Renaissance, Italian Renaissance, Renaissance, and Mannerism periods. He created several pieces of art that shaped the spread of Western Art during a period when it was sacrilegious to depict anything about Christianity in bad light. In his Self-portrait as St. Bartholomew’s flailed skin from The Last Judgement, Michelangelo designed a painting of It was in the figure of St. Bartholomew, the Christian martyr who was beaten and humiliated while alive. Michelangelo chose to depict a tragic and sad self-portrait that showed more suffering than happiness. By depicting his own face while in the empty envelope with the skin that hanging horrifically from the hand of a saint, he created a metaphor that displayed his tortured soul. His likely state of mind as presented in the art shows that he was an artist tired of his own soul based on the suffering he faced in Rome.
All the several faces that are identifiable as self-portraits prove that only the face on the skin that was held by St. Bartholomew was accepted as such. The piece of art is a representation of the artist’s psychological trauma that the artist went through in the last days of the Renaissance towards the Reformation period. The piece of art can be used to describe Michelangelo’s state of mind as more conscious and concerned with the abilities that he had to send messages through art. Michelangelo had a positive response to Mannerism which was a period where European art emerged towards the end of the Italian High Renaissance. He considered this period the moment of change that started from 1520 and was dominated art until around 1580 in Italy.
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