It was fascinating having to listen and watch the concert by Kenny Broberg Prelue and as I found most entertained by the wall played the song. Primarily, almost every piece of the show switched back and forth between the disjunct and conjunct melodies as well as the polyphony, monophony, and homophony textures. Kenny pulled one of the best performances presenting the use of different dynamics and techniques.
Having listened to different symphonies of the years the one by Kenny Broberg prelue, fugue and variation OP 18 is one of my favourites. The song is a classical symphony, and it extends to a kind of an adventure ( Jager, 2017 ). The introduction of the symphony creates an atmosphere that great the listener or the audience into instrument tone. The opening demonstrates a Viennese style were the song begins with a note of six-figure. The song then evolves to the theme or melody of creating a musical cell that mainly tiles the music like the minute through repetitive textural patterns in the skin or wallpaper.
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After the song has established itself, Kenny does an excellent job to transition the song where he brings a different tone. This mainly represents the second theme of the song, and this gets the audience clapping their hands as the transition is excellent. Kenny uses different vital patterns to get the audience to listen to his music. The different variation of the song means that Kenny makes the quarter not to have a duration of 2 and a half note that sounds making the two patterns seem the same ( Jager, 2017 ). Further, the transition at the end of the song is excellent as he gives the audience as calm and smooth ending that gets the audience on their feet’s clapping for him.
Reference
Jager, M. (2017). What Are The Most Basic Elements Of Classical Music? . Fredericksymphony.org . Retrieved 11 December 2017, from http://www.fredericksymphony.org/blog/what-are-the-most-basic-elements-of-classical-music
