The postproduction stage of film making is a crucial stage since it helps to address trivial but pertinent issues in a film. However, most editors do not capture the most critical segments of the film for their failure to participate in the pre-production stages of film making (Barsam, 2013). When an editor takes part in the preproduction of the film, he/she clearly understands the flow of the film. Where some subtle actions are placed in the film, he will comprehend their purpose, hence will not crop them at the postproduction stage.
A film editor plays a crucial role as far as the editing and technical aspects of the film are concerned. For instance, an editor has to ensure that the role he assigns a character aligns with the theme and plot of the film. Besides, the film editor must ensure that the cinematography, the sound, and the color theme rhyme with the plot of the film in a movie production process (Barsam, 2013).
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The 180-degree system is a rule within the cinematography section of film making, which requires that at every moment when two characters are in a scene, they must stick to a similar right or left relationship. This rule is met when a camera avoids crossing the line that causes what is referred to as the reverse angle (Barsam, 2013). In scene 1 of the film, for example, the 180-degree rule is evident where Juan is advising Chiron on influencing his destiny in life by shaping his path (Jenkins, 2016).
The shot is the primary block that builds the film during the editing stage. On the other hand, the cut is the principal tool during the film editing process. When these two crucial elements are combined, an editor broadens the chances of delivering quality work (Barsam, 2013).
References
Barsam, R. (2013). Looking at Movies: An Introduction to Film . New York, NY: W. W. Norton.
Jenkins, B. (Director). (2016). Moonlight [Motion picture]. United States: A24.
