Costume
The costume designs for Don Giovanni opera would be classical wear. The costumes would be made of lustrous materials and would be differentiated by social status. The costumes chosen for the opera would reflect a world that separated the dynamics of power and weakness. The characters in the opera would don the silver masks ‘the weeping Madonna. The costumes for the opera-ballet would resemble the set design for German and Italian folklore.
Lighting
To prevent the total distraction of the surrounding audience, the auditorium will be darkened, and only the exit signs will be illuminated during the opera. The only operational lighting will focus on the stage. The entire foreground will be engulfed in clean reddish light emanating from beneath. There will be one focus searchlight for a main character in the opera.
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Set Design
The set design for Don Giovanni would demonstrate individual artistic vision and capture a broad range of cultural, political, and social moods. The set design will link the costume design department to create a seamless vision linking performance and setting. The set design will take note of makeup and hairstyling to depict different social classes. The design of the backcloth would resemble classical German and Italian folklore.
Blocking/Movements
The movements on the stage of the opera-ballet and stage actors would be choreographed to follow a certain rhythm of Don Giovanni. The blocking would be done to ensure the actors, crew, orchestra, and other personnel of the opera move in perfect harmony with each other.
The staging of Mozart’s Don Giovanni opera will be done to portray classical 17 th -century society. The set design, costume designs, lighting, and blocking should all reflect the classical time. The blocking will be choreographed before the opera is played in front of an audience to ensure each actor plays the part well.
