The Starry Night by Vincent Van Gogh
The painting, The Starry Night, is considered as one of the prolific works of art by Vincent Van Gogh developed in 1889 depicting the view from his east-facing window from a room in the Saint-Rémy-de-Provence asylum. The painting, painting the picture just before sunrise, provides the audience with a reflection of what to expect when viewing through this window with the specific focus being on the stars. However, it is essential to take note of the fact that Vincent Van Gogh also incorporated an idealized village as part of the painting with the specific focus being towards creating a sense of connection to the audience. The picture is regarded as one of the most symbolic, as well as, most recognized paintings that depict the history associated with the Western culture as a way of defining its prolific positioning.
On 23 December 1888, Vincent Van Gogh experienced a mental breakdown, which had a significant impact on his life considering that he self-mutilated his left ear due to the collapse. The outcome of the analysis resulted in the need for him to be placed within a mental asylum for purposes of treatment. Thus, Van Gogh admitted himself at the Saint-Paul-de-Mausole Lunatic Asylum on 8 th of May the preceding year with the sole focus being towards getting treatment. One critical aspect to note is that although the asylum in question catered for the wealthy in the society, the facility was less than half full during Van Gogh’s admission. Consequently, this meant that Van Gogh would get a room in the second floor, which he would use as his bedroom and an extra room on the ground floor to use as his studio for purposes of painting.
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During his stay at the facility, Van Gogh experienced the urge to engage in painting as a way of ensuring that he would keep his mind committed to some extent. Art scholars believe that Van Gogh was able to develop some of the best works of art defining his career during his stay at the mental institution. Mid-June 1889 was the time that Van Gogh engaged in the idea of painting the Starry Night with the specific focus being towards ensuring that he would provide his audience with a definitive view of his east-side window. The painting, which he later passed on to his brother, provided his audience with a clear avenue from which to project his view with art scholars indicating that indeed this provided him with a definite sense of artistic passion.
Poem
About suffering, I would say they were entirely wrong
The passion for art, how I would say it's like a song
The starry night gives me a clear view of the sky and the village below
While I stand in my bedroom window
I get a sense of calm, in my opinion of the skyline with stars
It shines bright like small fires lit in different parts of the skies
I hold the view dear, as it gives a sense of hope for a better tomorrow
The view scratches the innocence of the heavens and the star within
The picture builds a sense of calmness in the presentation of a positive night
I would consider this as a sacred avenue to portray my mental state
