Edouard Manet
THE RAILWAY
1873
Style of movement
This style of movement depicted on this work of art is in line with the impressionist movement. It is characterized by short dense strokes that capture the subject’s essence of rather than its details. The visual effects depict a strong color vibration that is due to the broken strokes of unmixed and mixed color lacking in smooth shading and blending.
Formal elements related to the work
The first element is that the art depicts a strong tone based on the effects of light on the subject. The highlights appear conspicuously in the art as seen in the art’s background and some part of the subjects. However, shadows feature minimally in the background but are more prominent on the subjects. Furthermore, the art offers a range of tones between the shadows and the highlights due to the effects of light on the object.
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The second element is the art’s texture. Its actual texture feels smooth since the painting is done on a canvas. In fact, the artists makes no effort at combining different material techniques, leaving the actual texture as smooth to touch. On the other hand, its visual texture offers an illusion of a rough texture through utilizing different colors, tones and shapes.
Paul Cezanne,
BOY IN RED WAISTCOAT
1889/1890
Style of movement
This piece of art fits into the post-impressionism movement. It portrays vivid colors with a dense application of paint from brush strokes. The artist uses real-life matter with an inclination to emphasize on the geometric form for expressive effect. It also avoids the use of natural lighting as seen in the arbitrary color used throughout the painting.
Formal elements related to the work
One of the conspicuous elements of the work is the use of color. The artist uses thick, rich and festive colors to bring out the subject and the background. Use of saturation techniques is evident as seen in the variations in the tones of the colors used. In some parts, the painting appears darker while in others, it appears lighter which is characteristic of color saturation in art.
The second element is shape. The artist makes outlines and shaded shapes that depict the subject’s essence. He uses three major diagonals in effecting the shape element. Firstly, the subject’s head and back is tilted at an angle that agrees with the desired effect. Secondly, the curtain behind the subject has an angular tilt which gives a unique shape to the same. Thirdly, the table and chair rise at a long angle from the left side.
Thomas Cole,
THE VOYAGE OF LIFE: CHILDHOOD
1842
Style of movement
This art falls into the romanticism movement. It contains massive glorification of nature and depicts its beauty sublimely to create an aesthetic experience. Looking carefully, it is evident that emphasis is laid on emotions such as awe and apprehension which is typical of the romanticism movement.
Formal elements related to the work
The art depicts a formal element of expressive pattern. Intricate patterns are used to depict the river, the angel and the expressive scenery. Through pattern, the artist portrays a lush landscape with tranquility and warmth of the sunshine.
The second element is a strong tone. The effects of lighting clearly manifest as the angel arches over the joyous infant. The sunshine’s warmth is brought through the tone where an almost uniform shade is applied on the background. Use of darker shades bring out the cave from which the boat glides and indicates the mystery in the scene.
