Is the first movement of the Fantasy in sonata form?
The first movement of the fantasy by Schumann is in sonata form. One comes up with the decision since, Schumann composed the first movement of the fantasy between 1833 and 1835 and this was the sonata number (Davis, 2017) . Linda explains that Schumann presented different sonata while utilizing various movements such as the F-sharp minor, A major, D major and an F-sharp minor. The first movement was an F- sharp minor. Schumann composed this romantic sonata in dedication to his lover Clara Wiek who was also a renowned pianist . (Davis, 2017) .
What is interesting about Schumann’s treatment of the main key of C Major?
Schumann’s treatment of the C major key is similar to the annotation on the C minor key which is a parallel presentation. Schumann treated the major C key but presenting it with one flat and no sharps (Davis, 2017) . This is a unique presentation as the common C major key is also a relative to the A minor which has no sharps and also has no flats. A combination of A minor and C major is interesting and makes the music presentable and easy to flow. Schumann’s Toccata in C major was described by the succeeding pianists as one of the most complicated pieces of sonata produced in history. Although it was complicated, the pianist manages to play the keys with a continues flow creating interesting musical pitch that is in line with the tempo.
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What happens in the “I’m Legenden-Ton” according to the author
According to the author, I’m legenden- Ton is an important first movement of the fantasy in C major. The author denotes that the legenden-Ton is presented in a passionate and represents a feeling of passion rather than just blatant love (Davis, 2017) . Most importantly, the legenden- Ton is rhapsodic. Schumann presented the C major tone with extreme enthusiasm and in a poetic fashion that earned this fantasy its romantic reputation. It creates a meaning especially for the intended purpose of showing love
How does Beethoven play into the creation of this piece?
On the creation of the C major Fantasy, Beethoven played the mass in C major in 1807 (Davis, 2017) . The mass C major was a child-like appeal for the fulfillmentfulfilment of his/her needs. It represents a passionate yet direct appeal for help and love from a leader or a parent. The contribution of Beethoven’s work to the major C fantasy piece was important in enabling other pianists to design other fantasies within the C major key. Beethoven helps other instrument player to play in harmony despite the complexity of their keys.
What is Parallel form?
Parallel form refers to the property possessed by a keynote that is not relative. Parallel form means that keynotes are different but share a range of characteristics that makes them sound similar. Parallel form can be presented not as a minor to a major but a directly opposite key to the initial note .
References
Linda, Correll, Roesner, (1991). Schumann's "Parallel" Forms 19 th -Century Music, Vol. 14, No. 3 pp. 265-278
Davis, A. (2017). Sonata Fragments: Romantic Narratives in Chopin, Schumann, and Brahms . Indiana University Press.
